Archive for the ‘ABC’ Category

Dancing With Myself

Wednesday, November 28th, 2007


To exist in the belly of a zeitgeist and never come close to understanding it is a frustrating fate. I’ve spent the last several months wondering how exactly I moved to the United States of Dancing with the Stars without even changing apartments or voting on any proposed legislation, but here I am. And I hate it. I hate it for permeating every form of media; I hate it for keeping Tom Bergeron on television; and most of all, I hate it for hypnotizing me into watching last night’s bloated, Celine Dion-fueled finale.

Before this season, my major beef with DwtS was that it took the hype and audience I’ve always thought was better reserved for So You Think You Can Dance. After all, SYTYCD is a dance competition where the people actually know how to dance and are free to perform less antiquated and more exciting routines set to contemporary tunes… and not orchestral muzak. There’s also the gakwer factor. A vast majority of DwtS contestants are pathetic at the start of the show, and even more are there by the end. If you’re lucky enough to ride the DwtS wave to legitimate success (like Joey Fatone or, apparently, Drew Lachey), more power to you. But you’re an exception to the rule. While your parents may always remember Marie Osmond as the slightly more feminine half of a beloved entertaining duo, most of us under 40 will forever think of her as that old cougar who fell ass over tea kettle after grinding with a man half her age.

As much as I’d like to be completely ambivalent about the competitors, I suppose I would have preferred prodigal Spice Girl Melanie Brown take away the giant, sequined golf-ball-and-tee-set trophy and the title of danciest star. Helio Castroneves’ toothy smile and saccharine spirit don’t set well with me, and I kept having flashbacks to Roberto Benigni’s chair-hurtling ’97 Oscar win whenever he was on screen last night. His stamina has impressed me though. He was already on the east coast this morning to dance for both Good Morning America and The View on zero sleep. If losing meant being able to go to bed, I would have preferred to be Brown. But based on her satellite interview with Diane Sawyer, I’m pretty sure all she did last night was drink.

Ugly Betty Gets Posh Tonight

Thursday, November 8th, 2007


Last week’s boring Broadway infomercial aside, Ugly Betty might be the most consistent sophomore outing this season. Conflicts are being resolved with gracious speed, the camp continues to entertain without crossing the line and our heartstrings keep getting tugged when we least expect it (Ghost-Santos in the season opener? Tear!). Betty is just as much the hour-long treat that she was this time last year.

Well, America’s Beckham-saturation reaches a fever pitch tonight when the female half of the powercouple makes her much hyped cameo on the show. Of course she’ll be playing herself (a role we all know she can handle), and from the looks of the previews, she’ll be treating us to those bizarre, dramatic hand movements that defined her when she was the Spice Girl who didn’t really sing. I’m hoping she’ll have a little bit more to offer though. NBC’s Coming to America special this summer was unexpectedly hilarious and self-deprecating.

Beckham isn’t the only big Betty cameo this season. Eliza Dushku will appear as a cover girl who’s pulled from rehab for a photo shoot in next week’s episode, and Golden Girls vet Betty White (who’s no stranger to the show) will play herself sometime in December. Rumors even surfaced this week that Lindsay Lohan might take on a role later this season. You know, if the rest of the season happens…

Are there any Betty-watchers among you? I’m interested in reactions to the cameo and this season as a whole.

Regis & Jimmy’s Early Halloween

Friday, October 26th, 2007


It’s been a long week, and I’m fiercely tired. That means you’ll be spared my thoughts on the postponement of Battlestar Galactica‘s 4th season and last night’s oddly entertaining episode of Grey’s Anatomy. Instead you get a video of Regis being awesome.

Earlier this week, TV Squad posted their list of the top 10 scaaaaaaariest TV characters of all time, and the Gremlin from The Twilight Zone‘s infamous “Nightmare at 20,000 Feet” episode came in at number nine. In between flying back and forth between LA and New York 10 times this week, Jimmy Kimmel had time to spoof it in a clip that aired on both his own show and Regis & Kelly. Check it out below for some pre-Halloween whimsy. And on a slightly related note, be sure to grab your R&K 3D glasses at Walgreens before Wednesday. You wouldn’t want to miss daytime’s foray into the third dimension.

Hey, Fall Newbies, We’re Breaking Up!

Wednesday, October 17th, 2007

It’s time to trim the fat, folks. And some of this season’s more enticing fare has turned out to be deceptively unhealthy. Not terrible, per se, but certainly not worth the calories – like a McGriddle! Food metaphors aside, I really just don’t have the time or energy for my ambitious schedule. Sacrifices need to be made. Here’s a quick rundown of the shows on my chopping block and the ones whose heads have already rolled…

DONE!

Private Practice: I barely made it through the first episode. Its moderate success is a testament to the generally low standards of the new season and the decline of American culture. I’m sure Kate Walsh is a nice lady, and we all love any excuse to watch Tim Daly, but this show makes Grey’s look sophisticated. It also suffers from lame, repetitive episode titles (“In Which…” really?) – a trait shared by another demonic and ultimately doomed spin-off.

Bionic Woman: The inevitable mid-season episode where Katee Sackhoff brutally kills Jamie Sommers’ pointless, homophobic sensei, Isaiah Washington, is almost enough to make me keep watching. But… it’s not. This one is hard, because any source of Sackhoff while Battlestar is on one of its evil hiatuses should be a welcome treat, but even she can’t save this sinking ship. I may give it one final obligatory viewing tonight – tedious as that will probably be. (sidenote: Isaiah Washington’s default IMDB photo makes me want to die)

Aliens in America: This one is funny and sweet, but let’s be honest, Girlfriends probably has its moments too. I like my TV with an edge, and Aliens is clearly of the rounded variety.

STEP UP!

Chuck and Reaper: I kind of feel like a bipolar mama bird. I was so excited to see these two hatch, but their first steps have left me skeptical and contemplating a quick boot from the DVR nest. They’re hard not to group together because their premises aren’t all that dissimilar. Unfortunately, neither are their failings. Chuck needs to get past its heavy reliance on the charming cast (and failure to make light of the ridiculous plot) and come up with some more exciting storylines. As for Reaper, there’s so much room for social commentary, it’s kind of a sin that they’re not even trying to explore it. Melancholic twentysomethings are my favorites, and supernatural obligations as a metaphor for life’s self-induced setbacks come in at a close second. These two should be golden!

Samantha Who? Leaves Us All Confused

Tuesday, October 16th, 2007

Well, here’s my last surprise of the new season. The ABC sitcom disc was mercifully missing from my fall preview set, so all I really knew of Samantha Who? up until last night was that it has a bunch of famous people in it (some awesome, some horrifying) and that the show’s original title seriously pissed off the folks at Dr. Seuss. The “bitch with amnesia” premise seems funny enough and Christina Applegate is a consistent charmer, but sitcoms are so rarely the sum of their parts. So is Samantha Who? an unexpected delight or just another disappointing nail in the coffin of boredom that is Fall 2007?

The answer is an overwhelming “meh.” Samantha Who? Should be a lot better than it is, but clearly isn’t as bad as it could be. It’s kind of boring but sporadically hilarious. Samantha doesn’t know who she really is, and neither do we. The biggest problem seems to be the disconnect between the cast and the content. Christina Applegate doesn’t seem comfortable in role that should be perfect for her. She plays an amnesia patient like most would play someone who’s been lobotomized. We want to see her naive and excitable, but she spends 90% of the premiere completely ambivalent and only 10% in hysterics. In one scene at an AA meeting, she goes off on a diatribe about her lack of identity by musing on what baked goods her former self enjoyed. You can’t help but think of Debra Messing trying to be Jennifer Aniston trying to be Lucille Ball as Applegate stuffs her face with muffins and lemon bars. We are already so many facsimiles from the original, only the effort is recognizable.

Applegate might just need time. She and Samantha could easily grow together. The rest of the cast doesn’t have it as easy – Melissa McCarthy in particular. When I heard that the Gilmore Girls’ vet had been quickly picked up by a big network pilot, I was excited and relieved. That excitement has turned to frustration after seeing her in a role more fit for a character actress with no self esteem. Going from an endearing, dynamic supporting character to a creepy, self-deprecating, apologetic loser might actually be funny, if it wasn’t a direct result of the actress’s weight. I hope for more from McCarthy and TV in general.

Pushing Daisies: Sigh of Relief!

Thursday, October 11th, 2007

So, it’s not just a pie-lette; Pushing Daisies is an actual television show with multiple episodes! And judging by last night’s follow-up to the premiere, they’re actually going to be just as good as the first. Ned and Chuck’s romance cooled to a temperature where the sexual tension didn’t drive us all to drink and took a backseat (ha!) to the mystery du jour in “Dummy.”

When an engineer is killed by a hit and run, and a brief interview with his corpse reveals the cause of death to be incorrect, his vague clue (and parting wish) lead the gang to an automotive company that recently designed a dandelion-fueled car. The execution of sublime humor continues here and extends way beyond the writing and the actors’ mannerisms. Even the set design is hilarious. The secretly-flawed car is yellow and shaped like a lemon, for god’s sake!

In addition to solving the surprisingly morbid crime, we also get to know some of our secondary players a bit more. Lovesick waitress Olive Snook (Kirstin Chenoweth) proves she’s worth keeping around with some outstanding, if heartbreaking, physical comedy set to Jim Dale’s poetic narration. She even sings a wittle song. Emerson Cod (Chi McBride) still doesn’t have much of a backstory, but he is given some additional color. Frustration leads him to knitting, and his new three-way partnership is baring lots of gun cozies. The morgue attendant with the charming guttural noises also looks to be a welcome regular.

Any flaws in the episode are dwarfed by the ways in which the show continues to unexpectedly succeed. One issue worth addressing though is that the CGI leaves a little to be desired. The flashbacks to Ned’s youth, in particular, look less surreal comical than they do cheap comical. Everything else is still vivid and crisp, and much more than in the first episode, it gives Daisies a Technicolor noir quality. My only other beef? The complete lack of opening titles! I’m all about avoiding campy credits, but nothing hypes me up for an hour of television like the right tune set to perfectly edited clips. The tendency for programs to merely show a title page to maintain some sort of highbrow credibility is commendable, but it also shows a lack of imagination. And that is the last thing I expected from Pushing Daisies.

Pushing Daisies: Get Ready to Swoon!

Wednesday, October 3rd, 2007


If you’re a frequent reader or even a remotely vigilant follower of television, you’ve heard about Pushing Daisies (ABC; 8PM). You’ve probably also heard that it’s the most amazing show of the new season. Well, after what seemed like an endless wait, it finally sees its premiere tonight.

The story of a man with the power to bring people back to life with a single touch (there are a few interesting conditions to that gift), Pushing Daisies is one part crime comedy, one part childlike romance and one part character study of the confused loner we’re all capable of being. You can read my full review of the first episode here, and for all things related to the show, check out The Pie Maker.

Pushing Daisies is not for everyone (people who hate puppies, sunshine and smiling or those with a low tolerance for whimsy and charm will probably be better off watching Deal or No Deal). But if you consider yourself a fan of television, film or just being happy, I urge you to give it a go. It’s the kind of show that only shows up once in a great while, and, unfortunately, doesn’t often get to stick around as long as it deserves. Let’s see if we can avoid that.

Pushing Daisies airs Wednesdays at 8pm on ABC

Cavemen and ABC’s Prehistoric Fetish

Tuesday, October 2nd, 2007


Remember “not the mama”? How about “I’m the baby – gotta love me”? They were repulsive slogans briefly made popular by ABC’s early-90s show Dinosaurs – a conventional family sitcom but with people dressed in elaborate, scientifically inaccurate Jim Henson dinosaur costumes. Dinosaurs stuck around for four seasons before a bleak, socially conscious finale in which the extinction of the dinosaurs was attributed to their own disregard for the environment (wink wink, nudge nudge). At its worst, it was a stupid show that got all its laughs from puppets, pratfalls and annoying catch phrases. At its best, it was the only show in ABC’s TGIF lineup to move past the cheesy morality plays of Full House and Hangin’ with Mr. Cooper and satirize American excess and ignorance. It was, like so many things of the 90s, bizarre in retrospect and never to be duplicated. Until, apparently, now.

At least that what the folks at ABC are hoping for. It’s got to be their best case scenario for Cavemen, the new sitcom about three Neandertal buddies making a go of it in contemporary San Diego. Ridiculous premises happen, but when they’re a vehicle for social commentary, they can be excusable. Dinosaurs explored subjects like censorship, war profiteering, body image and intolerance towards vegetarians (a network-friendly allusion to homosexuality). Cavemen seems like nothing more than a pseudo-offensive, thinly veiled metaphor for racism. There’s certainly potential for more, but it just doesn’t look like that’s in the cards. Like so many reprehensible torture-porn horror movies, tonight’s incarnation of Cavemen has not been screened for critics. A red flag if ever I saw one. And let’s not forget that it’s based on an string of effing insurance commercials. Postmodern or not, they’ve already negated any potential for earnest analysis of American life (however unlikely) by paying all of those licensing fees.

I’m not saying that Cavemen will definitely suck (though I can’t imagine it won’t). I’m also not saying Dinosaurs is worthy of a lengthy postmortem discussion. It never did anything The Simpsons hadn’t done already and several dozen shows haven’t done better since. It was an honest attempt at semi-thoughtful television though, which judging by the pilot, clips and deafening buzz associated with Cavemen, is the last thing we can expect from them.

Cavemen airs Tuesdays at 8pm on ABC

Watching Big Shots Would be a Bad Idea

Thursday, September 27th, 2007


Thursdays are going to be more about returning favorites than new offerings this season, and premiere week is no exception. While we get season openers of Ugly Betty, Grey’s Anatomy, My Name is Earl and The Office, the only newbie is Big Shots (ABC; 10PM). And Big Shots, my friends, is a very bad show.

I’m not going to dwell because I’ve already reviewed the first episode here, but it is still a bit mind boggling how annoying and aggressively bad a show with such a high-profile cast can be. It was announced last month that Veronica Mars creator Rob Thomas was joining the show has a consulting producer. This should be good news, but Big Shots, as it is, is an unsalvageable mess, and even the mighty wit and originality of Thomas is probably not enough.

As for Ugly Betty (ABC; 8PM), the season finale left a bad taste in my mouth; unexpected melodrama, unnecessary cliffhangers and nearly no resolution is not what I had hoped for from one of 2006/2007’s best debuts. Questions over the sustained awesomeness of Betty dissolved this summer though with the appearance of the promo below, which is also why she is my pick of the night.

The McSpinoff Has Landed

Wednesday, September 26th, 2007


If you were smart enough to watch Reaper (looks like a lot of people were), I imagine you were happy you did. Last night’s premiere was even better on a second viewing, and any doubts over the addition of Missy Peregrym were laid to rest. The CW will be airing an encore tomorrow night at 9PM, so you really have no excuse to miss this awesome show. There are many, many more fish in the sea though, and four of the newest ones premiere tonight.

Who can turn the world on with her smile? Well, ABC is banking on Kate Walsh, but I’m still not sure. Her incredibly hyped Grey’s Anatomy spin-off, Private Practice, finally debuts tonight (ABC; 9PM). An early incarnation of the show was witnessed by millions last spring in a two-hour episode of GA. I was forgiving at the time, but I think it was just because I was so relieved to not be watching the tools at Seattle Grace.

Also on ABC… critics aren’t as unanimous in their love for Dirty Sexy Money (ABC; 10PM) as I thought they would be, but I stand by my original assessment. There’s more comedy here than is required of a show like this, and it really hits the spot. The cast (for the most part) is also tremendous. If the writers are smart enough to abandon the annoying “Billy Baldwin loves a trannie” subplot early in the game, DSM could be one of my favorites this season.

NBC’s only other offerings this season also show up tonight. Bionic Woman (NBC; 9PM) has seen a little tinkering since the pilot, with a few cast changes, but it’s a standup hour of television. Check out my original review here. Tune in, if only for the seriously impressive ass-kicking starring Battlestar Galactica’s Katee Sackhoff.

As if the handicap of having to follow Sackoff weren’t bad enough, the premiere of Life (NBC; 10PM) is something of a confused snoozer. It’s not overtly bad; it’s just not remotely exciting. I can in no way endorse watching it, but I’m sure some folks will get a kick out of it. My full review is over at Metromix.