Archive for the ‘fox’ Category

Bones is Back and Reaper Arrives

Tuesday, September 25th, 2007

“I will not feel guilty for loving a procedural drama. I will not feel guilty for loving a procedural drama…” Oh, hello, you caught me in the middle of a little self-flagellation. After two seasons of religiously watching Bones (FOX; 8PM), I still feel a little shame for adoring a show with such a conventional premise. There’s something about Emily Deschanel and David Boreanaz though – they are a whimsical juggernaut of chemistry. Just look at them!

Continuity abounds in tonight’s season premiere with the search for Angela’s estranged husband, mounting sexual tension between our two leads and the inevitable reference to Brennan’s seriously dysfunctional family. Bones is good, occasionally gory fun and is always worth a watch if you’re in the mood to detox from all of those serials you’re obsessed with.

Tonight is also the premiere of Reaper (CW; 9PM) – one of the few new shows this season that seriously deserves to be required viewing. I had so wanted to leave CW behind with their anticlimactic execution of Veronica Mars, but there’s no denying the appeal of a hilarious cast and well-executed, lighthearted science fiction. Check out my original review of the pilot here; the only noticeable difference in tonight’s episode will be the swapping of Nikki Reed for the much more interesting Missy Peregrym in the role of Andi. Here’s hoping Reaper is the first new CW show to actually garner an audience. Gossip Girl certainly wasn’t.

Mediocrity Thrives! Gossip Girl & Back to You Premiere Tonight

Wednesday, September 19th, 2007

Midway through the soft-open week of the new season, tonight we get the premiere of two of the fall’s most hyped shows: The CW’s Josh Schwartz-helmed teen-soap Gossip Girl and FOX’s juggernaut of middle-aged star power, Back to You. Reviews of both pilots can still be read here and here.

My thoughts on Gossip Girl (9PM, CW) haven’t really changed since I watched it earlier in the summer – mostly because I haven’t thought about it again. If you’re at all inclined to watch a show like this, you’re not going to be disappointed by what you get. You’re also not going to be surprised, which is a shame.

As for Back to You (8PM, FOX), watching the first episode is much like finding yourself on a blind date with someone who is both unattractive and obnoxious. You stare at them blankly, waiting to be let in on the joke, but the punchline never comes. You were duped into wasting precious moments of your interesting life on a terrible mistake, and when it’s over, you’re angry and confused. Though I couldn’t care less about the two TV dynasties that stars Grammar and Heaton come from, I still can’t believe no effort went into making this show remotely dynamic. It’s total bunk.

If you’re going to take a chance on a new series tonight, you should probably avoid the aforementioned completely. Instead, check out the premiere of CBS’s scandal-soaked Kid Nation (8PM) – a show that puts 40 children in a ghost town and forces them to fend for themselves for a month and a half! I’ve only seen the ten minute promo that ran during the upfronts – so I can’t say that it’s actually any good – but it certainly could be the greatest thing to ever happen to reality television. CBS certainly thinks so. They’re already casting the second season. Find out if it’s worth it tonight, and come back tomorrow for my reaction.

Emmys 2007: “A Wide Selection of Trash”

Monday, September 17th, 2007


The Emmys are something of a necessary evil. If you have any taste at all, you’re disappointed year after year by the criminal snubs, but if you like TV half as much as I do, you’re forced to pay attention anyways. This year wasn’t as bad as it could have been; Battlestar Galactica, Neil Patrick Harris and Minnie Driver all earned much-deserved nominations… not that they won. As for the ceremony itself, holding it “in the round” (just like JT!) proves that they’re at least aware of the their waning legitimacy. Ryan Seacrest was as non-present as a host could be. And his greatest success? A smart, if slightly dated, joke about his short relationship with Teri Hatcher – his last earnest attempt at feigning heterosexuality.

Since live-blogging would have required my watching the show in its painful entirety (and the onslaught of FOX plugs), I hope you’ll settle for my slightly delayed reactions to the big winners…

Supporting Actor in a Comedy – Jeremy Piven – Is it fair to award the same actor two years in a row for playing the same stagnant, stereotypical character that isn’t remotely different from who he is in real life? Apparently so. Piven, you may have Emmy, but you’ll never be half the bro Neil Patrick Harris is.

Supporting Actor in a Drama – Terry O’Quinn – As big of a Heroes fan as I might be… their Drama nod seems a little undeserved. Not so for Masi Oka though. He should have had this. Terry O’Quinn is all well and good in Lost, but if you’re going to award the supporting cast of the island, you could at least have given it to Ben Linus. Nice speech, though, Terry. Can’t say the same for the shirt…

Supporting Actress in a Comedy – Jamie Pressly – In all honesty, I’ve never watched more than five minutes of My Name is Earl, but I’m having a seriously hard time believing that a glorified extra from Not Another Teen Movie is more deserving of this award than Jenna Fischer or Vanessa Williams.

Supporting Actress in a Drama – Katherine Heigl – The reach of America’s love of Denny Duckett goes on long after he’s in the ground! “Outstanding Supporting Actress in a Drama” is now officially the “Lengthiest and Most Annoying Mourning Period” award. Not that I don’t adore you, Izzie.

Lead Actor in a Comedy – Ricky Gervais – I love Gervais. I love him for his work on Extras, and I love him for not being there to speak.

Lead Actress in a Drama – Sally Field – Have people seen Brothers & Sisters? I watch it religiously, but it’s all kinds of sucky. Unless this Emmy is for the episode when Sally got stoned with Margot Kidder, I don’t buy it. Also… nice editing, Emmy guys! A full hour after Tell Me You Loved Me showed real-life vagina and prosthetic wieners, FOX still can’t let America hear a middle-aged woman say “god-damned.”

Lead Actress in a Comedy – America Ferrera – Wow, the first award of the night I actually called. And one of the few I don’t object to.

Lead Actor in a Drama – James Spader – Can I say “wow” again? Boston Legal is not something I’ve ever watched, or ever intend to, but it can’t be all that bad. Somewhere in Los Angeles, Gandolfini is watching Mannequin and getting trashed.

Outstanding Comedy30 Rock – I hate to throw it out there so soon, but 30 Rock is flirting with Arrested Development-type prophetic doom.

Outstanding Drama The Sopranos – Despite the acting snubs, the Emmys’ love for The Sopranos could not have been more obvious. That Jersey Boys homage? They might as well have just paid someone to felate a bunch of HBO execs live on stage for three minutes. Whatever, it’s not like they don’t deserve it.

… Oh, and Tony Bennett won everything else.

Pilot Testing: Sitcoms Bad

Friday, August 31st, 2007

For every awesome comedy we get, there are almost too many stinkers to bear.  This autumn’s sitcom offerings may be sparse, but they are particularly craptastic to compensate.  If you’ll pardon my venom and lack of brevity, here’s a quick look at the worst of the worst…

Back to You (Fox; 9/19; 8:00PM). Where to start?  Well, right here we have a combination of two of my least favorite things in the world: people who don’t know when to call it a day and Patricia Heaton.  Though Kelsey Grammar’s insistence on playing the same character for thirty years in a row may be frustrating, it pales in comparison to the unfortunate perseverance of the one who loved Raymond most.  Throwing them together in one of the more formula driven pilots of the new season might possibly be the work of the devil himself.  Their chemistry is as forced as Grammar’s paternal curveball is annoying, and seeing them both portray characters aging ungracefully would be kind of funny if it weren’t so pathetic.  The only people likely to find any humor in this one won’t even be able to watch because they’re too old to justify watching Fox.  Next!

Big Bang Theory (CBS; 9/24; 8:30PM).  I did mention that Back to You wasn’t the most formula driven newbie, right?  Oh, good, because that honor is reserved for Big Bang Theory.  It’s as if the folks behind the hackneyed, early-90s, TGIF-style sitcoms made a show about vestigial nerd stereotypes, included more sexual references than were appropriate at the time and saved it in a time capsule for a day when the humor might float.  That day will never come.  The story of two physics grad students who are taken under the wing of a hot, blonde neighbor, there are no surprises here – other than the audacity to include a laugh track in a show lacking any funny.  Stars Johnny Galecki (Rosanne) and Jim Parsons do have an engaging buddy-comedy repartee, but the ghosts of Jack Lemmon and Walter Matthau couldn’t save this writing.  Stick through the first 15 minutes of the pilot and you’ll honestly be expecting them to break into “The Urkel“.

Cavemen (ABC; 10/2; 8:00PM).  Cavemen may be the only one of these shows that I haven’t actually seen yet, but I’m going to go out on a short, sturdy limb and assume it’s as bad as we’re all imagining.  The idea did intrigue me at first.  Those charming Geico Neanderthals on telly, you say? Brilliant!  Comedic allegory for American intolerance?  Just what the doctor ordered!  Maybe if someone like David Wain or Will Ferrell was behind it, but not this time.  All of the clips are pretty cringe-worthy and few who’ve reported on the first episode have had much positive feedback.  Sink slowly or sink fast, as long as it doesn’t stick around long enough to soil my fond memories of moving walkway frustration set to Röyksopp, I promise not to hold this buffoonery against anyone.

The Return of Jezebel James (FOX, Spring).  Though not exactly a fall pilot, this one is enough of a knife in the heart to bring up a few months early.  Amy Sherman-Palladino’s first post-Gilmore venture sounds like a great idea on paper: Lauren Ambrose, whip-smart writing and a glorious excuse to finally bring Parker Posey into American homes on a weekly basis.  The Return of Jezebel James tells the story of single, infertile book editor (Posey) who seeks the help of her estranged sister (Ambrose) to carry a child for her.  If that dreary premise isn’t enough to darken your mood, it’s also not funny, and the execution is unforgivably lame.  All is not lost though!  That lame pilot will probably never make it to the air, and all of that negative feedback gives Sherman-Palladino more than enough time to get her act together before Jezebel’s midseason premiere.

My advice, friends: Don’t count on any laughs from the new season’s comedic hopefuls.  Enjoy your last night with Flight of the Conchords and Entourage on Sunday, get ready for NBC’s pitch-perfect Thursday night to return in October and, if you haven’t already, jump on board with How I Met Your Mother and It’s Always Sunny in Philadelphia next month.  After all, one commonality of sitcoms, good or bad, is that it’s never too late to start watching.

So You Think You Can Dance Ends Season With Typically Awesome Finale

Friday, August 17th, 2007

As sure of a sign as shorter days or the return of corduroy, the season finale of So You Think You Can Dance signals the imminent death of summer. It’s sad on all counts, but think of how much we’ve grown. Let’s take a look at some lessons learned from the third season of SYTYCD…

1. All dance is better when choreographed to Fatboy Slim – whether you’re Christopher Walken or not.

2. Hammy accent and arbitrary Toy Story quotes aside, Cat Deely is still significantly less annoying than Ryan Seacrest.

3. “Contemporary” is a vague term typically applied to dances about unrequited love, dead parents and/or woodland creatures.

4. If you’re laughing with a midget, it’s OK!

5. Nothing garners sympathy votes like being forced to motorboat a Bette Midler doppelganger’s breasts.

On a serious note, one thing SYTYCD really does need to improve on is their stable of choreographers. For each moment of brilliance this season, there were two or more complete stinkers – especially the hip hop routines. It’s hard to judge these kids when they’re being forced to dress like gypsies and work with material that can’t possibly entertain anyone apart from their parents. Unlike any other competition, off-nights on SYTYCD aren’t often the contestants’ faults, but they suffer for them all the same.

That’s not to say season three didn’t go down exactly how it should have. The final four could not have been stronger, and the order they were dismissed last night (as much as it pains me to say, Neil) was spot on. It was still exciting though, because it could have gone any way. Lacey’s family ties, Neil’s chiseled looks or Danny’s unparalleled precision could easily have taken them to the end, but it was Sabra’s consistency and magnetic personality that ensured her win. If anyone had any doubts, they were probably quelled at the show’s rushed conclusion when her giddy shock supplied one of the most charmingly honest reactions ever caught on tape. As the rest of the top 20 hurried on stage and a blizzard of confetti obstructed the camera, Sabra’s hysterical screams were heard up until the last credit.

Despite declining ratings and what felt like a particularly rushed season, the gods of reality TV and dance have been so kind to ensure another glorious summer of So You Think You Can Dance. The show will be back for its fourth season in nine achingly long months.

So You Think You Can Dance: Top 8

Thursday, August 2nd, 2007


If people weren’t afraid to indulge my obsession, they’d probably ask me how I can spend my summer swooning over So You Think You Can Dance and completely ignore the much more popular Dancing With The Stars throughout the rest of the year. To respond to this hypothetical question, I’d probably start with an aggressive guttural noise of skepticism and quickly segue into a half hour monologue espousing the purity and earnestness of competition on SYTYCD versus the pathetic, lowbrow pandering of DWTS. But you didn’t ask, so I’ll spare you…

Last night saw the coupling I’d been waiting for all season: my two favorites from the start, Lacey and Neil. Lacey has seemed sure to win since day one, but there were doubts with Neil, so getting to this point was not a given. Sparing us the bizarre, repetitive solo routines, this week returned to the two dances/random partnering format that has seen us through every previous top ten. Lacey and Neil were given Latin Jazz and Contemporary. I know absolutely nothing about dance, but I’ll tell you that both numbers earned my most coveted of adjectives, “fun” and “pretty.”

Apart from Neil and Lauren’s jaunt from early in the season, this year’s hip hop routines have really failed to impress me. It’s a shame because they’re usually the most exciting and accessible. B-Girl Sara, the competition’s dark horse, did her best to save a flat attempt at old school with Salt ‘n’ Pepa rocking in the background, but it was severely lacking. Danny may be talented, but he’s kind of a one trick pony.

So who’s getting the boot tonight? My money is on Dominic, Pasha, Sara and Lauren in the bottom three and Lauren and Dominic hitting the road – that smooching was off-putting. They’ve both ridden this about as far as it’ll take them, and I’m not ready to lose Pasha or Sara.

As far as highlights go… it was no “Park Bench,” but Lacey and Neil’s contemporary piece made most of the audience/judges a little moist in the eyes. Out of respect to the seriousness of the dance, nobody pointed out that Neil’s bunchy blazer made him distractingly hunchbacked, which you can see for yourself in the following clip…

SYTYCD Awkwardly Goes Where No Show Has Gone Before

Thursday, June 28th, 2007


It’s Thursday afternoon, and the uncharacteristic behind the scenes drama of this week’s So You Think You Can Dance has already been discussed and dissected… but nobody’s really addressing the, erm, pink elephant in the room. After Jessi collapsed from some sort of heart condition yesterday morning, it looked like her partner, Pasha, would have to dance the Cha-Cha with someone outside of the competition. The producers decided to pair him with the choreographer’s assistant, former US Latin Dance Champion Melanie Lapatin. Though one hell of a good sport for rising to the occasion, it must be noted that Lapatin is a relatively voluptuous woman of 40-some-odd years of age, who, as guest judge Debbie Allen perfectly put it, looks like Bette Midler.

As if pairing her with the chiseled 27-year-old Russian wasn’t odd enough, the producers chose to skirt the topic by completely avoiding putting her on camera and making her run off stage the moment their dance was done. Our brief glimpses of Lapatin came when Pasha was lifting her in the air and burying his face in her bosom. Had her bottom half not been completely exposed, or if the camerawork hadn’t so blatantly reflected their embarrassment, it might not have been the awkward train wreck that it was.

Pasha may move like a lady and sport a permanently dopey grin, but I broke my “don’t vote until the top 10″ rule for him last night. Nobody deserves that shit.

Oh Yes, There Will Be Dancing

Thursday, June 21st, 2007


The charm of So You Think You Can Dance is a mystery not meant to ever be understood. While operating under the guise of the cheesiest thing imaginable, the product is the most strangely earnest competition on TV. Theatrics are kept to a minimum and media coverage is almost nonexistent, yet it’s still the highest rated show of the summer. Few contestants seem fame-hungry, all demonstrate a lifelong dedication to their craft that you don’t often see on American Idol and the strange camaraderie of their industry allows for personal and familial connections that link the seasons together unlike any other show. You might say it’s the purest embodiment of the American dream on display today. Oh yeah, and there’s dancing!

Attempting to deal with SYTYCD in a serious manner rates pretty high on the pathetic-ometer, but how else can I begin to justify this sick obsession? It took such a strong hold of me last summer, I actually know someone, who has a friend, whose cousin went to see the live show on tour. He even said it was the best night ever… I heard.

It’s hard to have favorites this early in the game (tonight sees the competitors reduced to a still whopping 16), because it’s almost impossible to distinguish individuals from the random couples they’ve been assigned to. That’s not to say I haven’t. Lauren & Neil* and Lacey & Kameron are most definitely my front runners. All four have been the most consistently fun to watch, and they’re all pretty easy on the eyes as well. Top 10, all the way – even Lacey, who everyone seems a little skeptical over because her cousin was in last year’s top four and her brother was the winner. I was leery because I couldn’t stand him, but it doesn’t look like she’s going to repeat any of his hysterics. There’s also something incredibly funny about a Mormon dancing dynasty playing out on national television, so here’s hoping she’s in it for the long haul.

*Cheers to tapeworthy for the clip of last night’s highlight:

American Idol: This is my “No Thank You”

Thursday, May 24th, 2007


Something is rotten in the state of American Idol. And it’s not the results. As much as my devotion to Team Blake made me want to think otherwise, we all know going into last night’s finale that it was Jordin’s coronation. But given the song the two were being judged on, was this year’s final really any kind of contest?

American Idol finale songs suck. Though Sandals Resorts would have you think differently, even Kelly Clarkson’s iconic “A Moment Like This” really, really sucks. The magnitude of this suckage is never a surprise, and despite recent efforts to reinvigorate the showdown by opening a song-writing contest to the public, season six’s gem “This is my Now” proved no exception. What was an exception was that one of this year’s contestants didn’t have a snowball’s chance in hell of coming across as anything short of a complete dufus.

With only his argyle and a swatch of platinum to help him maintain some semblance of his identity, Blake Lewis moped across the stage, with his tail between his legs, like a newly castrated dog. That was not his now. It was his nightmare. Last night’s loss was largely a relief, if only for the fact that we know the poor guy will never have to sing that song again.

But for Jordin, “This is my Now” seemed to be a tailor-made fit. I wouldn’t be surprised if her sheet music actually instructed her when to start the crocodile tears and beauty pageant wave. She probably isn’t all that thrilled with the prospect of the song being her first official recording, but at least she didn’t look like a complete ass.

I’m not going to pretend that I’m even considering giving up on American Idol. As stale and tired as it is, it still manages to entertain me each year. The next couple of weeks will probably find me succumbing to sporadic panic attacks, unable to fathom another seven months without my weekly dose of Simon Cowell. But American Idol needs to find a way to stay exciting through the very end. Having the winner release an original song the week after their victory was a nice thought, but it just doesn’t work. Just because they’ve gone this long without changing the formula, doesn’t mean we should continue to resign to anticlimactic finish to what should be the most exciting night of the season. Other countries have fully embraced the commercial release of cover songs from new artists, and given Idol’s audience, I doubt there’d be much objection to the same thing here at home.

Upfronts 2007: Fox Has No Love for Dushku

Thursday, May 17th, 2007


Poor Dushku… After several weeks of encouraging word on Fox’s proposed Grey’s rip-off staring Eliza Dushku and Sara Rue, it looks like Nurses did not make the cut. And the show I’m most looking forward to, The Return of Jezebel James, won’t show up until midseason. The Amy Sherman-Palladino penned comedy stars Parker Posey and Lauren Ambrose and is about two estranged sisters who have to raise a child together. The premise isn’t altogether inspired, but Palladino’s writing has been dearly missed for the last year, and the prospect of a weekly vehicle for Parker Posey is almost too good to be true. Bones will be returning in the fall, but my only other Fox standard, American Idol, will be absent until January – as usual.

Well, looks like that’s it for the upfronts, folks. And with only one casualty to speak of (albeit the most tragic one imaginable), I think we made out just fine. There’s a comprehensive guide and grid to the next year of TV over at Metacritic – check it out and start programming your DVRs accordingly.

Fox’s full schedule for fall/winter 2007/2008 is as follows…

Monday
8-9pm: Prison Break
9-10 pm: K-Ville

Tuesday
8-9 pm: New Amsterdam
9-10 pm: House

Wednesday
8-8:30pm: Back To You
8:30-9 pm: ‘Til Death
9-10 pm: Bones

Thursday
8-9 pm: Are You Smarter Than a 5th Grader?
9-10 pm: Kitchen Nightmares

Friday
8-9 pm: The Search For The Next Great American Band (working title)
9-10pm:
Nashville
(working title)

Saturday
8-9 pm: Cops
9-10 pm: America’s Most Wanted

Sunday
7-8 pm: The OT
8-8:30 pm: The Simpsons
8:30-9 pm: King of the Hill
9-9:30 pm: Family Guy
9:30-10 pm: American Dad