Archive for the ‘fox’ Category

American Idol > De La Hoya vs Mayweather

Thursday, May 17th, 2007

It just doesn’t get more exciting than this. In a moment I really didn’t see coming, vocal juggernaut Melinda Doolittle was ousted on last night’s Idol – just one week shy of the final. Despite the fact that she’s better suited for a touring musical adaptation of one of the more mediocre Disney films, she’s been the favorite since day one and no one’s been able to shut up about her.

Shocked or not, she’s gone. And that means next week’s showdown will be between Blake Lewis and Jordin Sparks. And while my allegiance to Blake may have caused me to make disparaging remarks about Jordin in weeks past, I am genuinely happy to see her make it to the final as well. They’ve been the most consistently entertaining from the beginning, and they’ve remained so close in the standings that either could win if they show up the other next week. It isn’t often that we get to this place without near certainty about who’s taking the title home.

American Idol concludes next week, with an hour of performances on Tuesday night and a two-hour finale and results show on Wednesday.

American Idol: Blake Lewis Makes More Magic

Wednesday, May 16th, 2007

Singing ain’t everything, folks. Jordin and Melinda might be the most vocally talented Idol contestants, but they’re also some kind of crazy boring. Not only did Blake bless us with actual movement last night, he was also the only one to perform something new during the “contestant’s choice” category. Back before he was creepy and pseudo-popular, Robin Thicke was just “Thicke” and he made an awesome song called When I Get You Alone. Blake sang it and more than made up for the involuntary Maroon 5 (barf). Everyone says he’s going home tonight. I dare think not.

American Idol: Blake Soldiers On

Thursday, May 10th, 2007


There is no greater feeling in life than seeing your American Idol contestant of choice make it this far. It is a pleasure that has eluded me year after year – once under shady circumstance but mostly because the people I like aren’t often very good. But all that changed this year when formerly frost-topped Blake Lewis, despite a pretty rough performance on Tuesday, secured his spot in the top three last night.

I’ll be the first to admit that the beat-boxing bit is getting a little stale and that his actual talents might be shadowed by his competition, but Blake is neither boring nor insincere, which cannot be said for Melinda or Jordin. He just loves music and his strange, strange way of making it. I’d like to think that he could stick through to the finale, but the pragmatist in me knows otherwise. Every Idol moment we have with Blake from here on out is a gift from above, because his only chance to win this competition is if people are able to phone in and vote from 1998 – the year he so rightly belongs in.

While the end of Idol should mean a respite from obsessive reality watching, such is not the case. The end of the month signals the return of two favorites (So You Think You Can Dance and Top Chef) and the premiere of Pirate Master. Better still, Bravo has started running teaser promos for what might likely be the most significant development in exploitation since The Swan Hey Paula!

The show will chronicle the behind-the-scenes antics of the American Idol judge and looks like it will finally confirm everyone’s strong suspicions that she is, indeed, crazy as a shithouse rat. Yes, Bravo (creators of Being Bobby Brown) could go the high road and not take advantage of Paula’s more humbling moments. But if this clip is any indication, we’re about to get a long overdue explanation for Paula’s absurd behavior. Here’s to an extra two months of finding the beauty in everything, slurred speech and clapping like your nails are wet!

Thank You For the Music

Thursday, April 19th, 2007

Ooooooh, Sanjaya!
Sanjaya lived every moment like it was his last… until around the top ten when he become completely deluded. Not that he really had any choice in the matter. Sanjaya’s big head was ceremoniously placed on his shoulders by a media who’d reached their saturation point with Anna Nicole Smith. Sanjaya sucks, and he won’t go away. What does this say about the competition? What does this say about America?

Um… Absolutely nothing.

In retrospect, I sure hope that everyone finds Sanjayagate as foolish as I did. It seems that more has been written about him in the last three weeks than any other Idol contestant to date, yet all of these dark predictions of his winning the title and steering pop music into the proverbial iceberg didn’t come anywhere reasonably close to fruition. Each season has had an awkward, untalented, ambiguous high school boy. Sanjaya was just the first who was willing to ham it up.

Remember this little turd? He was a horrible singer with no stage presence and even less personality, yet he beat out Jennifer Hudson and made it to the top 6. Nobody was calling him one of the horsemen of the apocalypse, and Idol continued to gain momentum, unscathed. Last season, Kevin Covais had similar aspirations of being the pubescent barnacle on the U.S.S. Idol, but he was knocked out just before the top 10. Regardless, the votes of the American public carried him long after he should have been sent back to homeroom.

After hours of cable news coverage and too many blog posts to read in one lifetime, we are already Sanjayaless with almost two months left until the end of the season. Sanjaya will return for the finale with some grand, unimaginable haircut; he’ll go on the tour and make little girls cry in 42 the 50 states; he’ll probably even be able to milk his cult of personality well into his 20s, but he’ll never be an American Idol. And while I’m glad to see Howard Stern and the self-important tools at Vote for the Worst are now learning that they aren’t as influential as they’d been giving themselves credit for, it will be with a heavy heart that I turn on next week’s episode. As much as I didn’t want him to win, he at least provided some fodder – a rarity in this ho-hum season.

It may have already gone into heavy rotation, but I leave you with this Sanjaya-themed clip from my favorite TV critics and vloggers, Buns & Chou Chou…

Some Things Seem Right in Cars

Tuesday, April 17th, 2007

75% useless

Television has long been waiting for the appropriate vehicle (ha!) for a weekly dose of Nathan Fillion. And while Drive may not be of the caliber we’d hoped for, and the outlook for shirtless frolicking ain’t so hot, it does show potential for being a worthy distraction.

The show chronicles umpteen competitors in an illegal, cross-country race. They are few of a great many, and the show’s biggest weakness is the half-assed writing that most of them receive. While all the people pictured above (and several others) are part of the storytelling, most of them are annoying and even more seem completely irrelevant.

Among the most unnecessary characters is an Iraq War veteran, who, despite knowingly bailing on his tour of duty, gets awfully emotional for his army bros. He and his girlfriend are presently the most useless. Current events find their way into Drive elsewhere in the form of three sassy Katrina survivors. Though the other two apparently find a bigger role in future episodes, the only one we really know right now is played by poor Taryn Manning who’s eternally cast as white trash.

Thus far, the good writing seems to be reserved exclusively to Alex (Nathan Fillion) and Penny (Melanie Lynskey); Alex on his mission to find his missing wife (Amy Acker) and Penny trying to liberate herself from an abusive husband by winning the race. The origins of the characters are still very vague, but these are the only two who’ve been able to garner any of my interest after the first three hours.

L-O-V-E

Drive may not be as great as its concept could allow, but it does demand your constant attention. Such can rarely be said for midseason replacements or much of anything on Fox. Low ratings and mediocre reviews mean that Drive will likely go the way of most serial mysteries and disappear long before we have the slightest clue of what’s going on, but on the whim that it might make a go of it, it’s definitely worth checking out.

How I Met Your Myspace

Tuesday, April 10th, 2007

Robin Sparkles, it wasn’t, but How I Met Your Mother‘s most recent online tie-in garnered considerable attention before it even went live and may have been the last push needed to secure a much deserved third season. The most recent clip shows the part of Marshall’s bachelor party we couldn’t see: a stripper pulling a large variety of unusual objects out of a Mary Poppins-esque carpet bag, presumably to put in her, well, you know. But in an episode that alluded to big, black dildos and Barney’s taste for sadistic strippers, this one minute clip that was questionably deemed “too hot for CBS,” hardly warranted seeing the light of day. Though it was a great excuse to try and double their previous viral success.

HIMYM isn’t the only show jumping on the social media bandwagon. In an attempt to woo new viewers, Bones made eight MySpace pages for characters that’ll show up in a May 8th episode. Fox promises that there are enough clues in the profiles for viewers to figure out the identity of the victims and the killer before the episode even airs. In what seems like an open, marathon game of Clue, each character has a slew of photos, friend comments (from the other characters!) and their own blog. Each page is being updated several times weekly. Now, as much as I like Clue, I really don’t want to read Colonel Mustard’s blog. I just want someone to tell me he didn’t do anything shady in the Library and be done with it. The whole attempt is admirably ambitious but a little foolish. The online attention span of Americans is far too short for an endeavor of this scale.

I love me some Bones, but isn’t the allure of these procedural shows being able to turn your brain off for a non-serialized mystery? Bones has always been different because it manages to be charming and sporadically hilarious despite operating under the guise of a CSI knockoff. It’s enough to keep me watching, but it’s not an experience I care to take much further.
stick with what you know, kids!

American Idol: Haley Cheats Death (Again)

Thursday, April 5th, 2007

not enough pixels for ugly

Are the problems with America so deep that this is what we’ve come to regard as a sex symbol? At first I was convinced that Haley Scarnato’s endurance on American Idol could be attributed to a large Italian family with an good wireless plan. But now that her stay on Idol lingers and the hem of her skirt creeps closer and closer to her vajayjay, I’m starting to think there’s a correlation. Is Haley not the only person who thinks she’s hot?

I mean, I don’t. No one I know does. But this guy sure does, and so do a couple of widely read magazines. Last week EW.com published a poll, pitting Idol contestants of seasons past against this year’s crop, and I was more than perturbed to see Haley repping season six in the “sexiest songbird” category. Now I realize that the competition isn’t stiff, but must they really feed the absurdity? They didn’t even try to airbrush those linebacker shoulders! After People Magazine’s crotch shot of Haley in last week’s issue, I checked their website for any reflections on Haley’s appeal and found the poll you see to your left. (I made up the last option because there really should be a third choice for those of us who think that Haley lacks any semblance of talent or beauty.)

I realize that I shouldn’t focus all of my angst at Haley, but I’m just sick of self-absorbed hacks plaguing the top 10. I don’t trust America to vote for my pizza toppings, much less my popstars, but I really thought the judges would have better, um, judgment. They need to start weeding these people out before voting is made public. Each week, Haley and Sanjaya are taking these votes as severely misplaced approval. Since neither is going to win or likely have a career after the tour, all American Idol is going to do is make them completely suck at life.

The Devil’s 12 Newest Souls

Wednesday, March 14th, 2007

Oh American Idol, you sneaky son of a bitch. You made us watch almost three months of filler, knowing we’d eat it up, under the false pretense that people would stop sucking once we got to the top 12. That has been the precedent, but for season six, such is just not the case. Last night’s performances were so unbearably boring, I found myself fast-forwarding them to get to the criticism; my favorite judge banter being Paula’s mini-emotional breakdown (does she cry or just leak?) and Simon calling Ryan out for being both a midget and a homosexual. The highlight of the night was surely the lesson we all learned from Diana Ross – that crazy people can be remarkably eloquent and gracious when given the proper dosage of tranquilizers. Who knew?

Though I am clueless as to who could possibly win this season, I will do my best to mock the more ridiculous and praise the least mediocre. Ladies and gentlemen, the 12 most talented undiscovered performers in America:

Poor Brandon Rogers. He sure is handsome, but he’s about as interesting as khaki pants and manila folders. He also set the evening’s interesting trend of speaking instead of singing, which is odd considering he’s apparently toured as a backup singer. Isn’t that where the raw talent is supposed to be? Brandon has a couple weeks left in him, but don’t expect much more.

Melida Doolittle won me over last week, but she’s gonna lose me again if she doesn’t give up this dewy-eyed, caught in headlights, lobotomized grin she keeps flashing. We’re all aware of how exciting and flattering it must be to not get reamed by Simon every week, but look at your competition. Sing more interesting songs and stop wearing clothes that accentuate the fact that you look like Bette Midler. Neck issues aside, Melinda is in it to win it. Top 3, easily.

I’m confident that Chris Sligh beat out Sundance Head to be this season’s overweight white dude based solely on his possessing normally proportioned fingers and by sparing us his tears. In his defense, his voice is much better than the arrangement of the song, but he’s still clearly on borrowed time.

Gina Glocksen has a horrible name. She also has a horrible voice and horrible “style” (is not opening her eyes for photos part of her look?). Gina may also have had the most offensively horrible performance of the night, but this girl has top ten written all over her. She is one of the millions of Americans living with a patch of florescent hair, and that is an electorate we should never underestimate.

Sanjaya Malakar has got to be the cheeriest car-accident I’ve ever seen, but I don’t know if I have the stamina to watch him play the happy fool every week. I feel like he’ll last a while because each season has its own awkward, untalented, flamboyant high school boy who weasels his way into the top 5 or so.

I believe in my heart that Haley Scarnato will be voted off tomorrow. But I also said this every week since the show went live. I really can’t get into the nitty gritty of why she’s so disgusting, because I fear I may cross the line, but I really hope America feels guilty for giving this retard Sabrina Sloan’s spot in the top 12 and that her simpering apology for SUCKING didn’t win her any new fans. Next!

Phil Stacey seems earnest enough, and, unlike most of the other twelve, he actually sang on Tuesday. He’s even kind of charming for the fact that he’s still such a happy dope after spending time in the military. Even that new dad grin just isn’t enough though, because Phil’s got two first names, and you can’t trust someone without a real last name.

Lakisha Jones has a lot of fans. The judges love her, Entertainment Weekly loves her, and loud family can’t get enough of her. I have yet to see the big deal and have been pretty put off by her over-confident song choices. Yes, she’s pulled them off, but she’s not saving anything for the rest of the competition. I see her in the top 5, but no way is she winning.

As of today (and every previous day) Blake Lewis is my choice for this round of American Idol. This might be because he reminds me of the obnoxious, reasonably attractive, Middle American guys I liked in high school, or it might be because of refusal to tweak his sound to appease the mainstream. Though it’s probably because he looks like So You Think You Can Dance runner-up, Travis Wall. I doubt he’ll win, but I’ll be damned if he isn’t a contender.

Stephanie Edwards has a pretty voice, but that’s really all I can say about her. She’s the one contestant who I’m neither disgusted by nor kind of in love with. And based on the fact that I miswrote her name three times before getting it right, I think she’ll fall soon after Haley. Or I might just be illiterate.

Chris Richardson’s rendition of whatever he sang had to be the biggest disappointment of the night. Not only was he not that good, he bounced around like some maniacal puppeteer was moving him across the stage. Chris is very attractive, so he is clearly safe, but he needs to recapture that suave Justin Timberlake vibe he’d been emanating the last three weeks.

Thank god for Jordin Sparks, or I doubt I would have been able to tune in next week (just kidding – I’d watch farm animals on that stage). Skirting under the radar into the top 12, Jordin’s strong performance of a boring song was the night’s most pleasant surprise. Given her new charm, and the fact that her name screams “pop star” she is most definitely sticking around for a while.

California! There We Went!

Friday, February 23rd, 2007

Ben McKenzieWhich came first: The OC or my love of Death Cab? Though I genuinely can’t recall, the answer is probably the most embarrassing. For the last four years, The OC was a weekly guilty pleasure and an even guiltier source of new music. Most talk of the show focused on the soundtrack and the cultural references – the storylines were irrelevant. So I was kind of surprised when news of The OC’s cancellation hurt much more than it should have – and would have, had it ended after its second or third season. Like two delicious Oreo wafers filled with bird poop instead of frosting, the first and final seasons of The OC were truly great, but the middle was shit. This season’s remarkable comeback made it that much harder to say goodbye.

Following the earthquake that shook (ha!) the last two episodes, only to have no real ramifications other than the destruction of the Cohen house, last night’s finale picked up six months later. Ryan and Taylor are no longer together; Sandi and Kirsten are expecting the birth of their child at any moment; Julie is pregnant with Kevin Sorbo’s baby but once more engaged to “The Bullet;” Seth and Summer are getting ready to move to Rhode Island together but television and their respective lacks of motivation have them in a rut; Mischa Barton is still dead and we wouldn’t have it any other way.

Over the course of the hour, everyone makes life-altering decisions. Couples reunite, babies are had, people previously defined by coupledom choose independence and most everyone leaves Newport. Though the commercials seemed like they’d given everything away, there were still a lot of pleasant surprises, and their penchant for self-deprication was hilarious right up until the bitter end. Funny was always what The OC did best. Their attempts at sincerity and soap-scale drama always fell flat. The lighthearted and sappily romantic episodes were their bread and butter.

Good high school shows are hard to come by. As entertaining as The OC was, it never took anything too seriously, least of all itself. There haven’t been many earnest portrayals of high school since the late nineties triumvirate of My So Called Life, Freaks & Geeks and Buffy the Vampire Slayer. Veronica Mars did a good job before she went off to college and kind of lost her direction, but as much as I enjoy it, it has never approached the relevance and honesty of Friday Night Lights – easily one of the most underappreciated shows on TV.
tear...

The OC did have one particularly surprising accomplishment during its run; it made me pull an unthinkable 180 on the lead character. For the bulk of the series, Ryan Atwood was painfully boring, and his insistence on beating people up for Mischa Barton was often too much to stomach. Even on television, on a teen soap, they couldn’t possibly rationalize someone repeating their mistakes that many times. But The OC did, over and over again. Though there was ample opportunity for the creators to shift the focus to Adam Brody, the story always revolved around Chino’s wayward refugee. And it wasn’t until this season that I felt he warranted the attention. Ryan’s finding his place in the Cohen family, and the world, probably would have happened a lot sooner if Mischa had the courtesy to die sooner in the series, but let’s just be thankful he made it at all. We leave Ryan 98% certain that his cage-fighting days are over.

Ratings show that The OC was never good at picking up new viewers along the way, so those of us who tuned in last night have likely been doing so for the last four years. And like many series finales, The OC makes a small plea to devotees to abandon the boob tube for more “gratifying” pursuits. Spellbound by the hilariously titled game show, Briefcase or No Briefcase, Seth and Summer have to break free from the bonds of television before they can find their respective destinies. Should we take this extra hour this gap in programming has left us with as an opportunity to fight complacency and declare our independence from TV? Thanks for the mixtapes and the memories, guys, but there’ll be a substitution before you know it. The Black Donnellys premieres next week, and I’ve never been one to underestimate the thrall of Irish-American stereotypes.