Archive for the ‘hbo’ Category

Delayed Reaction: John From Cincinnati

Wednesday, June 13th, 2007


I don’t ever recall wanting to like a show as much as John From Cincinnati. With my favorites dropping like flies and my other must see TV generally lacking depth, John seemed like he could be more than just a nice, scripted respite from my reality-soaked summer – he could be my new reason to evangelize the glories of the idiot box. I could be his champion!

But as it turns out, John From Cincinnati is just as weird as everyone has been saying. The show chronicles the Yost family, a resentful foursome who haven’t caught enough breaks. They live in a Southern California surfing community with a host of other equally bizarre characters and a newly arrived stranger, John. I realize that it’s a lot to ask of show to have a plot clearly laid out in the pilot, but having at least enough lucid characters to have a few understandable conversations is not. John From Cincinnati is a parade of undiagnosed schizophrenics, autistics and a charmingly taciturn Luke Perry. John himself is a cross between ET and Leonardo DiCaprio, circa What’s Eating Gilbert Grape? – his few words mostly the result of a bizarre, never-ending game of copycat. The sanest character, Mitch Yost, is oddly enough the one you’ve seen sporadically hovering above the ground in promos and posters.

The only clear message is that John is some sort of naive second coming of Christ or other messenger from above (Think Michael without the dancing and obesity), but so far the most supernatural acts have been the responsibility of either a teenage boy or Al Bundy’s parrot. So John might just be a red herring.

Coherent or not, the show is worth watching for the beautifully choreographed surfing alone. And while it may not have been the earth-changing experience that I was hoping it might be, I am not giving up on John. I’ll continue to watch, because I still want to love him. And if television has taught me anything, it’s that faith (and fandom) is easy to will with dedication like mine.

Big Love: ‘Damage Control’ Doesn’t Begin to Clean up the Henricksons’ Mess

Tuesday, June 12th, 2007

HBO certainly has a knack for getting viewers to empathize with unlikely protagonists. Misogynistic social hierarchy and fervor for Jesus are two of my least favorite things in this world, so it’s kind of odd that I’m head over heels in love with a group of polygamous Mormons. When they were outed for being just that at the end of the last season, I feared their charming, dysfunctional family would never be the same again. And apparently it won’t.

Now that the shit has hit the proverbial fan, Big Love can finally move past the introduction to the large family, and their many conflicts, and onto the dissention among the ranks that is inventible in a situation like their own. Most notably, this dissention comes from the first two women in Bill Henrickson’s life – his first wife, Barb, and his oldest daughter, Sarah. While Barb’s doubts in their lifestyle are now quite obvious, it’s Sarah’s openness with friends and acquaintances about her family, and her disgust with it, that bodes to be the most exciting. Even the looming threat of uber-creep and polygamous “prophet” Roman doesn’t offer as much drama as an angsty teen.

Jeanne Tripplehorn continues to be my favorite part of the show and shares a spot with Connie Britton at the top of my list of TV’s dearest leading ladies. It is my greatest and least realistic hope for this show that it will eventually conclude with her putting herself before everyone else and leaving, but I know it’s impossible. And that makes her brief estrangement even more traumatic. There was always something in Barb’s eyes that gave away how she desperately yearns for the normalcy of a conventional nuclear family. Now it’s in her heavy sighs and delayed responses. Her return to the family at the end of last night’s episode was sad but predictable.

Their pseudo-exposure could have brought them even closer together, but it looks like the Henricksons will become more polarized than ever. It’s sad to see the harmony of the first season go out the window, but if this was a happy show about a man with three wives, it would be pornography.

The Sopranos: Made in America

Monday, June 11th, 2007

It’s so very difficult to remember life immediately before The Sopranos. Northern Exposure was still considered the creative masterwork of television, Touched by an Angel and Veronica’s Closet ruled primetime and Tim Allen and Jenna Elfman were considered quirky. Then along came Tony and TV critics the world over quite literally creamed their collective pants. When it was at its best, it set the standard for cinema caliber television, and when it was at its worst it was a little bit of a self-congratulatory tease. And now after almost a decade on air, with hardly as many episodes as you’d expect it to have under its belt, we say goodbye. (more…)

Entourage: Adios Amigos… For Two Weeks

Monday, June 4th, 2007

The third season of Entourage ended last night, just two months after it returned and two weeks shy of its… return. I don’t really know what’s going on over there, but the half-season we just got felt a whole lot like filler.

Last summer’s cliffhanger (of sorts) saw the boys dumping Ari as Vince’s manager, and these extra eight episodes were meant to facilitate his redemption. And all of that happened – four episodes ago. Though there were a few funny episodes along the way (Johnny Drama’s bad reviews), the last batch has been particularly. Not only has nothing happened, but Ari seemed to disappear right when he was let back in the fold. If it’s at all possible to make demands of a season that’s likely already been completed, I would like more Ari and E, some love for Turtle and a reversal in Hollywood dominance between the Chase brothers.

Entourage is back on June 17th, and I, for one, cannot wait to return to a time when conversation isn’t dominated by the pending production of Medellín: The Most Annoying Movie Ever.

The Sopranos: Kennedy and Heidi

Monday, May 14th, 2007


Tony Soprano’s flagrant misuse of the English language was always, and will remain to be for these final episodes, my primary impetus for watching the show. In at a very close second: my love of television violence. No show does death quite so well, and not just because HBO is capable of going to town on the graphics. A Sopranos’ death means a Sopranos’ funeral. And while normal grief might not be traditionally entertaining, Italian grief certainly is. In the bizarre universe in which you haven’t already heard who bit it on last night’s episode, read no further. (more…)