Archive for the ‘reality’ Category

Reality Week: Work Out Returns

Wednesday, April 16th, 2008


“These are the hands of Michelangelo…”

It still doesn’t make sense, but it sure as hell never stops being funny. I love how much the cast of Work Out loves themselves. Jackie’s narcissism, Rebecca’s narcissism, Jesse’s narcissism and Brian Peeler’s über narcissism are kind of confusing in how they’ve survived two seasons of seeing how atrocious they can appear on camera, but you’ve got to admire them for soldiering on. Especially those trainers, who, for all of their complaining, really have no problem orbiting around Jackie Warner like the radiant lesbian sun she is.

They do love her. They also love to hate her. As long as they’re talking about her, their emotions are pretty much an afterthought. Rarely do you see a crowd of people so deeply consumed by one person. Obviously, this has a lot to do with the fact that their minor fame hinges on their relationship with the owner of their gym and the star of this show. But Jackie’s thrall reaches more than just her employees though. A startling number of articles came out about the many folks who cannot get enough of her just before the premiere of the third season.

… A season that has one big problem. New people! New people with no reverence for Jackie or a desire to talk about her! I cannot abide these folks and I request their removal immediately. Other than Jackie’s sweet new assistant, all three additions to the Sky Sport staff seem unnecessary and lack any semblance of a personality – catty or otherwise.

They are fun to look at though. And, after all, the real success of Work Out is that it’s one of the only shows on television that does not facilitate laziness. It’s impossible to watch these hot bodies and not be at least a little motivated. And if they can spare just a handful of viewers the pain of being unfit and the absurd cost of a Sky Sport membership, isn’t it all worth it?

Reality Week: The Paper

Tuesday, April 15th, 2008

Of the countless reality series chronicling life in high school to pop up in the past couple of years, none looked like it would more closely resemble my own secondary education than The Paper. Not because I was on the school newspaper (I totally was), but because no other show has chosen to focus on the neurotic, obsessive and socially inept. Those Laguna Beach kids may have lacked substance, but at least they were well put together. And in high school, that’s all that matters.

The Paper goes beyond exploitative entertainment and actually charms in its honest portrait of how insufferable it is to be this age, regardless of status. The cruelty, the confrontations and the backstabbing that you’re used to seeing from the more popular set are just as prevalent in this crowd as they are in any, and the tone is a strange amalgam of Spellbound (2002 spelling bee doc and aspergers exposé) and either of the High School Musicals. The latter is accomplished with the help of Amanda, the (spoiler!) editor in chief.

Amanda’s need to constantly talk or sing and her unholy drive make her the most annoying character on the series, but her staff’s treatment of her also makes her the most endearing. She probably deserves a comparison to Election‘s Tracey Flick, just without the tendency for sexual manipulation. The rest of the cast is even more easily labeled. There’s the silent second in command (who’s probably the most likely to go on as a journalist); the snotty girl who’s probably a few social rungs above the rest of them but a few too short to be a cheerleader; her oafish boyfriend whose motivation for joining the paper is purely carnal; and a budding homosexual with a penchant for dramatics. I guess there are a few others, but I lied about easily labeling them. They’re wallpaper.

The first episode comes together so well, it seems odd that no one thought to capitalize on this idea before. Everyone who’s ever been on a newspaper or yearbook staff, or been in close proximity to their classrooms, knows that these extracurriculars breed a kind of crazy unlike anything else you find in high school (with the notable exception of drama kids, but that’s been overdone and isn’t remotely as relatable for adults). Thankfully, The Paper looks to be an accurate representation of this, as well as a reliable source of meltdowns, feuding and ADD – all the while sparing us the gratuitous references to Los Angeles clubs, restaurants and stylists we’ve never heard of that plague certain other series. It may actually bring back a touch of authenticity to MTV’s prefab prime time lineup.

Reality Week: ¡Viva Hollywood! Está Loco

Monday, April 14th, 2008


Within the first five minutes of Vh1′s ¡Viva Hollywood! I realized that I know nothing about Hispanic American popular culture. Almost just as soon it became clear that my life is seriously suffering for that fact. The show is the newest in a crop of reality competitions debuting on the cable network this month, and it follows 12 aspiring latino actors vying for their big break in telenovelas. I avoid “celebreality” like the plague, but there’s something strangely authentic about a bunch of catty amateurs duking it out for an opportunity to join an industry not known for its great talents. Also, the floating head of some famous transvestite psychic pops up occasionally to explain the shows many challenges.

For one hot minute of my adolescence, I was in love with telenovelas. I found the idea of sensationalized smut in a foreign language to be a worldly and wildly entertaining cultural outlet. But you can only watch so many seemingly arbitrary face slaps before just getting frustrated with your own ignorance. Had I been exposed to Dora The Explorer as a child, maybe my obsession would have stuck, but I am a product of the 80s. It’s a wonder I can ever speak English.

Now, however many years later, that obsession could very well be revived. Every element of ¡Viva Hollywood!, from the challenges, to the scantily clad cougar judge, to the ridiculous things people accidentally say when they’re speaking a second language is so fall on the floor funny, I can barely stand it. Even the eliminations are groundbreaking in their ludicrousness (you know, by reality standards). The contestants have to go into a confessional booth and basically curse the one they want to face elimination – but not without begging god’s forgiveness before they go. Then, after the bottom two perform some impromptu, tear-sodden soliloquy, the judges play a video of them acting in a fight scene. Whoever dies in the scene must go. “Esta muerto!”

I won’t pretend that there are any redeeming qualities to this show, or that any of you would be bettered by watching it, but it isn’t often that I am legitimately surprised by how entertaining something is. ¡Viva Hollywood! delivers. This extremely long trailer doesn’t even begin to do it justice, but you get the idea.

Mikey Likes TV Presents: Reality Week!

Monday, April 14th, 2008


If I’m not mistaken, your face is looking a lot like this right about now. “No posts in weeks, and he’s returning with five solid days of reality coverage and reviews?” I know, I know, it seems like a dumb idea considering all of our scripted friends are finally up and running, post-strike. But this is a HUGE week for reality TV. Guilty pleasures are returning, old favorites are calling it a day and there’s finally a show exploiting the hilarious horrors of high school newspapers. Sit back, relax and prepare to register as little brain activity as possible without actually requiring life support. It’s MLTV’s first Reality Week!

One Kid Nation, Under Sophia

Thursday, December 6th, 2007


Ok, folks, next week is your last chance to catch the brilliant (in an totally autistic way) Kid Nation. The overwhelmingly ironic appreciation for the show seemed to die down a few weeks after it started, especially when CBS started gearing the show towards children, but I promise you that it’s just as rife with ridiculousness as it ever was.

The biggest flaw of CBS reality programs is to try and give them some deeper context by providing fake back-story. The “journal of Bonanza City,” serves as nothing but an annoyance and occasional platform for episodic themes. Normally it doesn’t float with me, but last night it allowed us to see what Bonanza City would be like with one of its most interesting characters as dictator and queen. Self-described “30-year-old woman trapped inside a 14-year-old’s body,” Sophia (recently made sheriff) was put in charge when the journal told the town council to go on a vision quest to a staged Indian village several miles outside the set. Things went a lot smoother than I would have hoped, but it was a nice respite from the douche-tyranny of Greg, who brings the town’s average IQ down by at least the double digits.

It wasn’t long after his return that the council asked for the kids’ advice on who should win this week’s coveted gold star. They nominated their friends; they nominated some of the towns most shy and underappreciated; poor Zach nominated himself and was actually brought to tears by how much he felt he deserved it. This did not set well with Greg, and honestly, I cannot blame him. I was immediately reminded of the 3rd grade, when I lost the student council election because some fat kid, who may or may not have been named “Brandon,” cried during his speech and everyone took pity on him. I remember making a point about composure being pivotal to leadership, but it was all in vain. Thankfully, Zach was not as lucky as my former 8-year-old nemesis.

The crying did not stop there. At the end of last night’s episode, with the arcade no longer around to distract them, some of Bonanza’s most tender hearts gathered around a campfire and reflected on their experiences away from home. Anjay’s tears started a-flowin’ when he told the group that it was the only place he’d ever fit in. I don’t think he was the only one feeling that way. All of these kids, at least the ones under 12, are freakishly intelligent and capable of a maturity most of us probably don’t find until our 20s. That does not float in elementary school. I’m not saying that being dumb is ever cool, but I certainly don’t remember hanging out on the playground with kids who knew about the Homestead Act and could speak at length about the market price of gold. For most of our 37 remaining pioneers, this is it until college. They are doomed to suffer at the mercy of the Gregs of the world until they’re able to distance themselves from their awkward youths and find another band of likeminded peers who enjoy puns about carbon dating. Good luck, kids!

The
Kid Nation season finale airs next Wednesday at 8pm on CBS

Dancing With Myself

Wednesday, November 28th, 2007


To exist in the belly of a zeitgeist and never come close to understanding it is a frustrating fate. I’ve spent the last several months wondering how exactly I moved to the United States of Dancing with the Stars without even changing apartments or voting on any proposed legislation, but here I am. And I hate it. I hate it for permeating every form of media; I hate it for keeping Tom Bergeron on television; and most of all, I hate it for hypnotizing me into watching last night’s bloated, Celine Dion-fueled finale.

Before this season, my major beef with DwtS was that it took the hype and audience I’ve always thought was better reserved for So You Think You Can Dance. After all, SYTYCD is a dance competition where the people actually know how to dance and are free to perform less antiquated and more exciting routines set to contemporary tunes… and not orchestral muzak. There’s also the gakwer factor. A vast majority of DwtS contestants are pathetic at the start of the show, and even more are there by the end. If you’re lucky enough to ride the DwtS wave to legitimate success (like Joey Fatone or, apparently, Drew Lachey), more power to you. But you’re an exception to the rule. While your parents may always remember Marie Osmond as the slightly more feminine half of a beloved entertaining duo, most of us under 40 will forever think of her as that old cougar who fell ass over tea kettle after grinding with a man half her age.

As much as I’d like to be completely ambivalent about the competitors, I suppose I would have preferred prodigal Spice Girl Melanie Brown take away the giant, sequined golf-ball-and-tee-set trophy and the title of danciest star. Helio Castroneves’ toothy smile and saccharine spirit don’t set well with me, and I kept having flashbacks to Roberto Benigni’s chair-hurtling ’97 Oscar win whenever he was on screen last night. His stamina has impressed me though. He was already on the east coast this morning to dance for both Good Morning America and The View on zero sleep. If losing meant being able to go to bed, I would have preferred to be Brown. But based on her satellite interview with Diane Sawyer, I’m pretty sure all she did last night was drink.

Project Runway: How Much Longer Can They Make it Work?

Wednesday, November 14th, 2007


You may have sensed that muted excitement in the streets this morning – everyone on their way to work, in their unseasonably light clothing, with a bit of a spring in their step. They know that the sooner they make it through this day, the sooner they can head back to their homes, kick back and completely absorb the premiere of the fourth season of Project Runway. Television shows age quicker than dogs though, and I can’t help but think that this is the season when we start to think that it might be time to take the old girl out back and put her out of her misery.

Now I’m not rooting against Project Runway. In fact, I came on board long after most. Skinny Andy Warhol-ish guy completely frightened me off from watching the first season, and it took a well-edited Santino clip reel that showed up mid-second season to prompt me to give the show another chance. I’ve really only had one good year of watching it – a lot less than most. So while Project Runway should still feel fresh, all of Bravo’s copies (most of them sloppily executed) are kind of souring me to the original.

Bravo has developed a bad habit of putting all of their eggs in one basket. They think, oh, people love this basket! So they make the basket last an extra month and interrupt its development with poorly placed, self-congratulatory reunion specials and delay resolution for so long that viewers are running on sheer frustration and not actual suspense. There’s also the matter of casting. Where it used to be the biggest draw of these shows, the last few groups of Bravo competitors have been much flatter than we’re used to. (I had to fight to like most of the folks from the last season of Top Chef. Hung as a villain? Please!)

It’s not like I’m not going to watch every episode this season. I’ve already picked my favorites based on their headshots (Simone & Kevin), and competition aside, I’d tune in just for Heidi Klum’s pretty smile and Tim Gunn’s fatherly comfort. I just kind of wonder how much of this season will be must-see TV and how much will just feel obligatory.

The Next Great American Band

Friday, October 19th, 2007


The American Idol machine isn’t necessarily evil. Regardless of the winners’ careers, Idol is still compelling TV six years in. And as I’ve said before, spin-off So You Think You Can Dance is the greatest competition show out there. I should have little reason to be skeptical about the producers’ latest offering, The Next Great American Band (FOX; 8PM)… but I totally am. Is it because of the painfully lame panel of judges? No. Is it because Fox dumped the show on Fridays? No. It’s because of promotional photos like the one above.

The majority of the bands we’ve seen in the commercials are ridiculous clichés or generic whiny-rock – I’d say they’re good for a laugh, but I’m pretty sure we’re expected to take a lot of them seriously. And seeing as how Goo Goo Dolls frontman John Rzeznik is apparently our barometer of taste, I can’t expect I’ll share the opinions of the judges (unless obligatory surly Brit keeps Rzeznik and Sheila E in check). If you’re into Daughtry, you’re in luck. American Band will likely give us a similarly douchey troop as a winner. It’s the last thing we need, but I can’t imagine getting anything else.

The Next Great American Band will probably have more than a few legitimately funny moments. God only knows how wonderfully awkward and horrible most of the auditions will be, but I can in no way endorse you watching it. Anything in direct competition with Friday Night Lights is the enemy… and the enemy must be stopped.

Editor’s note: Here endeth the week of hate. I promise to like things again starting Monday.

Tears of Joy/Distress: Kid Nation is Here!

Thursday, September 20th, 2007

As it turns out, there is nothing remotely deviant or outrageous about Kid Nation. After months and months of speculation over child labor issues, the producers’ moral ambiguity and bla bla bla… it ends up being every kid’s wildest dream: camp without adults and the opportunity to win 20 grand every four days. But that didn’t stop them from crying… a lot.

The 40 (now 39!) children of Bonanza may still need therapy when they’re adults, but not because they were traumatized during the filming of this show. They’re just going to be permanently embarrassed that America saw them frothing at the mouth for 40 days without Ritalin. There were so many hilarious non sequiturs in the first hour alone, you wouldn’t be surprised if Bill Cosby was prompting them from behind the cameras.

Kid Nation does have more structure than I would have imagined. The arbitrarily chosen town council chose teams early in the first episode (blue, green, red, yellow), and after a fairly grueling contest, the pecking order was chosen. The red team gets paid a dollar a day to absolutely nothing (aristocracy!), the blue team gets paid 50 cents a day to run the stores and the town saloon (merchants!), the yellow team is paid 25 cents a day to feed the town (cooks!) and the green team is paid ten cents a day to cleaning up after everyone (losers!).

It’s no surprise that the first casualty comes from the greens. Eight-year-old Jimmy spent much of the first episode sobbing, and despite the heartwarming encouragement he received from the other children, he hit the road at the first opportunity. Jimmy didn’t go home because he was homesick though; he went home because he was on the crappy team and didn’t want to spend his summer vacation emptying porta-potties. I don’t blame him.

One star has already emerged: 11-year old Jared from Georgia (pictured above). When he’s not chasing farm animals and providing the show’s best social commentary, he’s making statements about how he hopes he doesn’t have to “poo” for the entirety of his stay. Jared’s bio and questionnaire on the show’s official website offers even more insight into his strangely brilliant mind. What is the one thing he would change about America if he could? “The media is often one sided with most issues in this country and it would be nice to have the whole story.” Jared is the type of kid I ignored when I was his age and find myself wildly entertained by now.

If you weren’t hooked by the awkward behavior and constant possibility for disaster, scenes from the next episode had to have been enough to reel you in. “We’re thinking about killing a chicken,” announces council member Mike, in a rare moment without tears. Well, Mike, we’re thinking about watching that.

Delayed Reaction: LA Ink

Wednesday, August 29th, 2007

Reality TV doesn’t exactly provide the most fertile ground for spin-offs. There is the occasional personality bright or trashy enough to go it on their own (you know who I’m talking about), but Miami Ink‘s Kat Von D never struck me as someone who demanded an hour all to herself. For that matter… I didn’t think another program devoted to fly-on-the-wall tattoo parlor shenanigans was necessary either. Given my general skepticism, it took me a while to finally get around to watching LA Ink.

Kat brings in a whole new clientele after abandoning the now all-male cast of Miami Ink for her hometown of Los Angeles. Where the customers in Miami were often charming, heartbreaking or just colorful, the folks who come into Hollywood’s True Tattoo are predictably vapid and repulsive. And there are also STARS!

Stars like… Jesse Metcalfe! Jesse probably would have never visited the boys in Miami. In addition to beating the living daylights out of him, they probably would have refused his vision of the douchiest tattoo in history. Metcalfe, whose claim to fame is still a five-episode stint on Desperate Housewives, struggled with the idea of committing to a half sleeve for a long time, but he’s confident enough in the state of his career to go ahead with it. He leaves the parlor with a four-by-eight inch naked woman lassoing an anatomically correct heart on his disproportionately large bicep and absolutely no chance of being asked to appear in the sequel to John Tucker Must Die (apparently he survived).

LA Ink is harmless popcorn TV that you can watch when the contents of your DVR are frighteningly sparse, but it’s not without one serious flaw. The oversaturated colors, Kat’s tendency to dress like a noir pin-up and her Betty Page poses in all of the advertisements promise more sex than TLC is willing to dish out. The network that brought upon the earth the D.I.Y. horseman of the apocalypse, Ty Pennington, is unmistakably prude in all of their programming, and LA Ink is no exception. In an odd attempt to appeal to their A Baby Story viewers, not even the stenciled boob on Jesse Metcalfe’s arm is shown in focus.  Come on!