Archive for the ‘the cw’ Category

Veronica Mars: The Bitch is Back… Done

Wednesday, May 23rd, 2007


Penning an “in memoriam” of my favorite show of the past three years (and, ultimately, one that will likely remain in my top five forever) is not an easy task. Nor is it one I was I really thought I’d have to write until just this last week. But last night’s episode was sadly Veronica Mars‘ last, though you’d never know from watching it.

Bloggers and critics billed last night as the show’s two-hour series finale, and the semi-functioning retards at The CW would have had us believe it was just another season finale through the last promo. In reality, it was neither. Two distinctly separate episodes glued together to send the show unceremoniously off into the sunset – that latter, as good as it was, giving the viewers absolutely nothing that they deserve from a swan song.

Having spent the last month solving some of the least dire mysteries of her brief stint in sleuthing, last night Veronica was thrown a curve ball in the form of a sex tape, featuring herself, leaked to the internet and emailed around campus. True to form, Veronica takes lemons and squeezes the juice into the eyes of her would-be oppressors.

A flawed heroine till the bitter end, Veronica’s underhanded tactics in her quest for justice cause the most pain to the people closest to her. Files in long-exiled Jake Kane’s hard drive give Veronica enough fodder to blackmail all of the secret society members who we learn were responsible for the tape and open a veritable Pandora’s box of potential mysteries for the upcoming season. Too bad her father loses his chance at being Sheriff, yet again, covering all of the tracks Veronica left while stealing them.

Saying last night’s episode was the season’s finest is an understatement. Though it’s nice to see a show go out on a creative high, it most definitely not nice to have our last shared moments with our girl find her plagued by melancholy yet again. This is the Veronica from first season. This is the Veronica we fell in love with. But this isn’t the way we were supposed to leave her. “The Bitch is Back” makes for spectacular lead-in to another season. It’s such a shame that it’s a season we’ll never get.

Upfronts 2007: The CW Kills Our Girl

Thursday, May 17th, 2007

I know for whom the bell tolls; it tolls for V. Though no official word on the fate of Veronica Mars has been made, all signs point to next week’s episode being its swansong. As reported earlier this week, Veronica Mars is not on The CW’s fall schedule. Series creator Rob Thomas maintains that the show could be resurrected as a midseason replacement, and there’s still another month before the time for contract negotiations expires. It all seems like postponing the inevitable, and I, for one, just want a final word.

The end of Veronica Mars and Gilmore Girls means that I won’t be returning to The CW next season either, but if I was going to, I’d probably watch Gossip Girl. The new series, created by OC scribe Josh Schwartz, stars some absentee narrator who blogs about the goings on of young Manhattanites. The premise seems fairly mediocre, but Schwartz has a good head on his shoulders and Kristen Bell is said to be the narrator. Between the two of them, I could easily see myself being drawn in.

The CW’s full schedule for 2007/2008 is as follows…

Monday
8-8:30 pm: Everybody Hates Chris
8:30-9 pm: Aliens in America
9-9:30 pm: Girlfriends
9:30-10 pm: The Game

Tuesday
8-9 pm: Beauty and the Geek
9-10 pm: Reaper

Wednesday
8-9 pm: America’s Next Top Model
9-10 pm: Gossip Girl

Thursday
8-9 pm: Smallville
9-10 pm: Supernatural

Friday
8-10 pm: WWE Smackdown

Sunday
7-7:30 pm: CW Now
7:30-8 pm: Online Nation
8-9 pm: Life is Wild
9-10 pm: America’s Next Top Model (Repeat)

Gilmore Girls: Bon Voyage

Wednesday, May 16th, 2007

I was vehemently opposed to Gilmore Girls from day one. Back in the days when Buffy was still on the WB and high school afforded me even more time to devote to the tube, I was pretty much down with any new series. But not the Girls. Something about the original promo of a single mother fighting with her teenage daughter over whose boobs were bigger did not sit well with me. So I avoided the show like the plague for six of its seven years.

Then last summer I found myself inexplicably drawn to these fast-talking sirens and watched the entire first six seasons in less than two months. But just as fast as I’d fallen in love, I was out of it. The seventh season was largely a chore to watch, and I started to hate characters I had thought could do no wrong. Poor decisions were made – decisions I couldn’t see our girls ever making. This is unquestionably the fault of Amy Sherman-Palladino for jumping ship and leaving new series helmsman David S. Rosenthal stuck between a rock and the hardest of places. But this season was not without its bright spots, and in last night’s finale, everyone ended up more or less where they belonged.

How “Bon Voyage” could ever have been billed as anything but a swan song is beyond me. Everything that could have – came full circle, and each moment of the episode dripped with finality. In the opening scene Rory meets her long-forgotten idol, Christiana Amanpour in the last of Gilmore Girls’ awesomely random cameos. Lorelai and her mother share a moment that could have easily been schmaltzy but was instead exactly what it needed to be. Luke and Lorelai, though far from married, are back on the right track and share a heart-melting smooch. And in an almost unprecedented move, everyone in Stars Hollow got some screen time, with Mrs. Kim and the town troubadour the only notable exceptions.

Rory’s dismissal of Logan the week before the finale didn’t float well with a lot of people, but pairing her off for life seems a little unfair for a 23-year-old with so much potential. Gilmore Girls was one of those shows that was all about the ladies, so while it might be her mother’s time to finally get her knight in shining armor, Rory just doesn’t need one. What Rory got in the finale wasn’t a definitive conclusion but a whole lot of hope and possibilities. Giving the protagonists a choice of how to live their lives without us, and us the chance to imagine their future that suits us best, is one of the nicest notes you can end a series on.

There’s long been talk of Sherman-Palladino’s proposed end to the series – four words (most likely spoken by Lorelai to Rory) that she’d known would be the last line of the final episode from the inception of the series. Obviously, we did not get them. Instead, we’re left with a moment almost identical to the last scene of the pilot: a fade-out of Luke’s diner, the girls off on a quintessential, non-descript rant. In a lot of ways, this is better than any fabled last words. In true form, Lorelai and Rory are off in their own little world that we were never meant to fully understand but fortunate enough to be a part of for at least a little while.

Almost Upfronts: Waiting’s a Bitch

Wednesday, May 9th, 2007

waiting!

With just a few days separating us from the networks’ upfronts, next season’s schedules will soon be decided. So now is as good of a time as any to check in on our most beloved shows, whose fates are still so desperately up in the air…

-After finishing its stellar freshman season with an ever-increasing viewership and a champion in NBC pres Kevin Reilly, Friday Night Lights does seem favored to return. And if its status as TV critics’ biggest wet dream isn’t enough to make you think it’s getting renewed, all the reports of ordered scripts and internal pats on the back seem to guarantee another season of Panther football.

-Saying that How I Met Your Mother hit its stride in the second season might be the understatement of the century. More dependably funny than anything on NBC Thursdays, the lack of any word on a renewal is a disappointment, to say the least. Other fans and bloggers don’t seem to be concerned, but CBS is not a network that is known for making shows sweat it out this long. And though the identity of the Mother still remains a secret, enough subplots are being tied with a bow to make me wonder if the season finale could be excused for a series finale.

-It seems silly to talk about Veronica Mars, because reading and writing endless speculation makes me more anxious by the day, but there’s so much promising news this week that the tiniest iota of hope has formed in my cold, shriveled heart. And though Veronica in any form is better than no Veronica at all, I’m increasingly leery of the FBI scenario. The last two episodes have been so flawless, I honestly think keeping Veronica in college is the way to go.

-Though it might seem these are the only three shows I care about, the last two weeks have shown that what we all thought was guarantee, is now an unlikelihood. Negotiations for another season of Scrubs have stalled for some time now, and it seems NBC isn’t keen on forking up the cash for Zach Braff’s requested salary. The show’s seemingly climactic storyline of JD once again swooning for Elliot and the network’s vague marketing of the “final” episodes all insist that the end is nigh.

Time will tell, and there ain’t much of it, so check back next week for coverage and links on all things 07-08 season. Also keep an eye out for continued coverage of American Idol and evaluations of the How I Met Your Mother season (gasp, series?) finale and the likely disappointing sendoff to our beloved Gilmore Girls.

Pizonica – It’s ON!

Wednesday, May 2nd, 2007

¡Ai, Dios mío! Adopting single-episode mysteries AND a new love interest in just one night? After tweaking the formula of Veronica Mars for the umpteenth time this season, last night could have easily been a disaster. But the seemingly endless, pussycat-doll-plagued hiatus was well worth the wait. Veronica Mars returned last night with easily one of the best episodes in over a year.

Finding the best way to tell the Veronica story in the third season has been a lot like putting together a puzzle with pieces from several different pictures. Not only has creator Rob Thomas had to change the story to accommodate the new characters and environment that Veronica’s first year of college demanded, he had to dumb-down the mystery arcs from the whole season, to a half-season, to just single episodes. The general consensus has been that this was due to pressures from The CW to find a new audience for the show, but it shouldn’t go unsaid that the arcs grew less and less compelling after Lily Kane’s killer was unmasked at the end of the show’s first season.

Falling in love with Veronica Mars for its superb storytelling made their decision to nix the ongoing mysteries a rough blow, but if last night was any indication of how these episodes will go, I’m all about it. In addition to the fact it was one of the most compelling investigations she’s ever conducted (racism, politics and, ultimately, patriotism in the truest sense of the word!), they managed to incorporate all but one member of the very large cast into the episode. And not only was everyone there, none of their appearances were forced or unnecessary. Often overlooked individual storylines progressed, we got to see the return of the Wallace/Keith repartee we love so dearly and the Piz/Veronica love connection finally came to fruition. This is the Veronica Mars I look forward to every week.

But at the end of the day, numbers matter. And Veronica’s really suck. Even after a 2-month hiatus and a strong lead-in from Gilmore Girls, Veronica only managed a 1.4 (maybe if people knew it was back, they might have been higher). The ratings have been worse, but they’ve been a lot better. The proposed retooling was pitched this week, Kristin’s been pouring her energies into keeping it on the air and both the CW and Rob Thomas remain open about the prospects of a 4th season, but any pragmatist can see that this is a sinking ship. It would be sad to see Veronica end after only three years, and without a proper goodbye, but, in all likelihood, that’s what we’re looking at. Prove me wrong, somebody!

There might only be four episodes left, so enjoy them while you can.

How to Make Your Parents Proud

Wednesday, March 7th, 2007

possibly the contestants, possibly the existing group... there is no differenceApparently I was not supposed to watch The Pussycat Dolls Present: The Search for the Next Doll. Not because it’s a horrible show that will soften my already doughy brain and fuel my disgust for 21st century women, but because any remotely good ratings will kill Veronica Mars’ slim chance of being renewed for a 4th season. I did not know that last night.

The Search for the Next Doll poses more questions than I can think to ask and too many that just don’t have any answer, so I will sum the hour up with a rhetorical “huh?”. Skipping the process of the initial round of auditions where thousands of girls showed up desperate to be the next doll, we find ourselves with 18 girls who are immediate broken down into mini-groups to perform three singles from the Pussycat Dolls’ vast repertoire. At the end of the hour, nine are chosen to compete for the duration of the show’s two month run.

Some of the contestants are dancers, some of them are singers, most are rejects from more competitive reality shows, but they’re all whores. If you’re not into hip gyrations and crotch thrusting, the highlight of the show is most definitely the sound bites offered by some of the girls. Natascha explains why she wants to be the next doll: “I think the Pussycat Dolls have had a large influence on my generation, and that is why I gravitate towards their music.” Just five years my junior, I’d really like to think that our influences aren’t that dissimilar, but it would appear that the PCD are more renowned in the parts of the Midwest where they’re giving white girls names like Chanté and Anjelia.

McDoucheThe strangest and most annoying facet of the show comes from host, and former Sugar Ray front man, Mark McGrath. In his seemingly endless fall to the bottom of the low culture barrel, the heir to Pat O’Brien’s syndicated throne clearly took this job just to be surrounded by the last breed of women who actually want to have sex with him.

The best part of the show came in a moment that won’t likely be duplicated in any subsequent episodes or on any other show this year. Taking a page from the climax of Kirsten Dunst’s late-nineties gem Drop Dead Gorgeous, Anjelia (too sick to dance!) returns from the doctor’s office with some terrible news; she’s contracted a virus. “Like a virus you could spread?” asks one Doll in training. (Yes, Anastacia, you’re all getting AIDS. Being the next Pussycat Doll requires a certain amount of sacrifice!) Several minutes later we see all but 5 of the girls blowing chucks in toilets, bushes, limos and off of hotel room balconies (I wish). They all muster the energy to perform, but the combination of melodrama and graphic shots of lady-vomit is as good as this show is going to get.

Though for obvious reasons I will not be watching any more of The Search for the Next Doll, there is one thing to be gained for anyone who does. If two years of radio-play and bad American Idol auditions haven’t already left you sick of “Don’t Cha,” the show’s insistence on playing the track in the background of every scene may finally purge it from your system.

Editor’s note: It is not lost on me that the last several posts have concerned scantily clad women who may or may not have syphilis. I promise to return to scripted television about fully clothed people immediately.

Goodbye Neptune’s Rose

Wednesday, February 21st, 2007

womp womp

In the grand tradition of Nate Fisher’s “NARM!” and Marissa Cooper’s indiscernible gurgling, Sheriff Don Lamb’s greatest contribution to Veronica Mars was his final words: “I smell bread.” That’s right, after finally making it into the opening titles during the third season, Neptune’s worst met his maker at the hands of baseball bat wielding Richard Grieco. Say it ain’t so!

Or, better yet, keep going. My love for Veronica Mars is deeper than my love for any other show currently on TV (with the possible exception of Battlestar Galactica), but this season’s lack of focus has been a major buzz kill. There has been a notable upswing since the winter break, but the writers are so clearly overwhelmed by the size of the supporting cast, they seem to stumble every episode to find something for all of them to do. In most cases, they go for weeks on end, missing in action, only to show up for four or five minutes of completely irrelevant plot. Whether it’s out of contractual obligation or to appease niche fan bases, Lamb, Mac, Wallace, Weevil, Dick, Piz and Parker occasionally show up just to assure us that they’re still alive.

With nine episodes under his belt this season, Lamb had most of the cast beat, but his role as the anti-Mars just stopped working once Veronica was out of high school. Though they’d also tried several times to give him some depth, (Remember when it turned out he was an abused child and let Veronica and Duncan off the hook for spying on the Mannings? Remember when they dropped that storyline, and that poor little girl is probably still locked in a closet writing bible verses over and over?), it never really floated. Lamb would always be the guy who blew Veronica off and told her to grow a pair when she was raped, and from that, there is really no redemption. His juvenile sarcasm and inflated ego will surely be missed, but one can only mourn a shit-bag for so long, especially when his passing allowed for Keith to finally be reinstated as Sheriff. It will be nice to see Veronica as the family’s lone PI, and Keith’s new status as “law man” opens the door for plenty of awesome Mars-on-Mars head butting.

But there’s still the sticky matter of those six folks left with nothing to do, and I say we knock a few more off the roster before the end of the season. If we are to get a much-deserved fourth season, there needs to be a solid core cast, each one with consistent appearances and unquestionable relevance. That said, I suggest we start with Dick.

A Gilmore Valentine: Lor-istopher Dissolves

Wednesday, February 14th, 2007

worst couple ever
Sitting down to watch the first six years of Gilmore Girls in the two months leading up to the show’s debut on the CW sounds like a daunting task, but if the summer of 2006 taught me anything, it’s that all things are possible with Netflix and my own steely resolve. Though I don’t think I would have been as successful if I’d attempted to watch the same amount of, say, Dr. Quinn, Medicine Woman. The ease and appeal of binging on Gilmore Girls is thanks to Amy Sherman-Palladino, and while I was aware of her departure after the sixth season, I didn’t realize how necessary she was until it was too late. I can’t easily give up on a show after watching a solid three episodes, so when the seventh season of GG more or less sucked, giving up wasn’t even up for consideration. But there has been reason to believe that the show could bounce back, and this week offered a possible glimpse of a light at the end of the tunnel.

The sixth season ended with Lorelai leaving Luke after ten consecutive episodes of him being shady and distant. Seeking comfort in the arms of her baby dad, Christopher, seventh season opened with her spurning his advances at a relationship for about two episodes before caving in and marrying him shortly thereafter. This is when the anticipation of the season picking up gave way to silent resignation that Gilmore Girls just wasn’t good anymore.

Though a card-carrying member of Team Luke from day one, I wasn’t that troubled by the Christopher storyline. It was a cute way to occupy Lorelai while Luke redeemed himself to the viewers, but the marriage took it too far. It may have been that his previously infrequent appearances made it hard to pick up on how annoying he was or the new writers may have just made him a different person. Regardless, seeing him bopping around Stars Hollow has been unnatural to say the least. This is why last night’s destruction of the unholy Lorelai-Christopher union was the most welcome development this season. In what was easily the best scene all season, Lorelai broke the news to Christopher that as much as she wanted to want to be with him, she didn’t.

This means there is still hope for Gilmore Girls! Now that Christopher is no longer an option for Lorelai, her reunion with Luke (though still a long way off) is inevitable. And with Emily and Richard were so content with their daughter marrying the man they always wanted her to be with, the split opens up the door for more parental disappointment than ever – a cornerstone of the Gilmore of yore! There are even signs that the new writers might actually do something with Rory… not that I particularly care, but any additional storylines are welcome.

Will the show find voice it had before? Probably not. Are talks of a possible eighth season at all warranted? God no. Might Team Luke get the resolution they so rightly deserve? We’re pretty much guaranteed a “yes” at this point, and that’s all I really need.