Archive for the ‘whedon’ Category

Upfronts 2008: So… You Think You Can Stop Dancing?

Thursday, May 15th, 2008


My silence may be eerie, but I’m sneakily still very much liking TV. In fact, I just got in from the Fox upfront party. It’s been an exhausting and kind of uneventful week, but what better excuse to touch base than the TV equivalent of prom?

So this year marked my first in-person upfront experience, and I have to say, they’re kind of gross. A bunch of sloppy ad folks boozing to the point of public embarrassment and blatant starfucking does not a good time make. It was an education though. My deep love of So You Think You Can Dance (returning in one week!) was slightly challenged by the throng of contestants from seasons two and three that could literally not stop dancing at any point during the night. Brazilian BBQ buffet? Dance! Line at the porta-potty? Dance! Creepy ‘80s cover band? Um… dance!

They have their charms though. And about a month from now I’ll be so thoroughly into their successors, this transgression will be long forgotten. What won’t be forgotten is the fact those two beautiful creatures pictured above and Eliza Dushku all bolted before I got there. Perhaps it’s best that they stay on their respective pedestals, but I sure would have love to see TV actors not on Gossip Girl every once in a while.

Enough of that. Let’s get down to business. This time last year I was an unhappy camper. Veronica Mars was done, I was mostly unimpressed with the pick-ups, and Eliza Dushku’s pilot was passed over by FOX. Things could not be more different in 2008. Friday Night Lights and How I Met Your Mother, the two bubble shows that I desperately needed to see renewed, will both be back with a vengeance. I’m genuinely excited by some of the new offerings. And this year’s Dushku pilot, a little show called Dollhouse by some writer/auteur/genius named Joss Whedon, is a sure bet for midseason. If you can catch the trailer (they keep pulling them), you will see how very drool inducing it is. Full fall schedules for all the networks, if you haven’t already seen them, can be found right here: ABC, CBS, FOX, the CW. (NBC’s is oooooold news.)

There weren’t any surprises this week. News of renewals and pickups, save a few exceptions, all came weeks ago. The only real shock was that after all the hullabaloo over the upfronts being “soooo different” this year, they were more or less the same. No complaints on my part, as I can think of far worse things than tradition. Attention-starved dance competition veterans for one.

The Monthly Buffy Indulgence Returns!

Wednesday, March 26th, 2008


Of the various MLTV efforts that have recently lapsed, none seems more criminal than snubbing my monthly coverage of the Buffy comic book series. This is easily explained though. The Faith-centric, Brian K. Vaughan-penned arc that wrapped up in December didn’t really do it for me, and when it comes to the Buff, if I have nothing nice to say, I’d rather not say anything at all. Then when the two one-off stories rolled out in January and February (the latter quite impressive and the former wholly confusing), I was just too heartbroken by any mention of the series to think about it for too long. You see, too many jaunts to the West Coast in the last six months left me without the means to hit the Buffy reunion at the Paley Festival last week, so blogging was just more salt for m’wounds. It will honestly haunt me for the rest of my life, but since it’s over, I can finally bring myself to discuss this latest development: earlier this month, Buffy dyked out.

Well, kinda. As you may have already read in any one of the many pubs who picked this up, in the 12th issue of the new Buffy series (the first of the Wolves at the Gate arc), Buffy and her right-hand slayer, Satsu, got naked and did naked things. Satsu had been revealed in the previous issue to be in love with Buffy and the supplier of the extremely cheese smooch that woke her up from that magic coma about a year ago. Buffy spurned her advances, explained that, in addition to the fact that she likes boys, bad things typically come to the ones who pursue her. Cut to the next issue when the two are found in bed together. Buffy is comically and typically frazzled, and over the course of a couple pages, nearly all of the Scoobies walk in on the pair. Shock, outrage, drooling fanboys and surprisingly speedy acceptance ensue.

Joss Whedon maintains that Buffy is not going to become a lesbian and that this move was just experimentation that evolved naturally. I’m not one to ever question the almighty Joss, but I am firmly in the camp of people not feeling this latest story. This is not because I’m a prude. I have a pretty laissez-faire attitude about sexuality. But this doesn’t seem natural for me at all, and Buffy, who by my estimates is at least 25 at this point, is getting a little old for the window where “experimentation” seems an acceptable excuse. Most importantly, she’s always really, really, really liked boys – to a fault! And no amount of loneliness or boredom seems like it could justify her switching teams for one night – especially when the other involved has genuine feelings. Buffy is supposed to be over using people.

I digress. What’s done is done, and no amount of gratuitous girl-on-girl is going to keep me from running to Midtown Comics the first Wednesday every month… even if I do occasionally fail to report on the developments. And developments, while we’re on the topic, showed up in spades in issue 12. Lesbian canoodling was accompanied by the return of Andrew and Dracula, and a troupe of magical Harajuku girl vampires, who can turn into animals and, um, fog, that stole Buffy’s super scythe. To get it back, the gang will be heading to Tokyo for the next three issues. We don’t know exactly how yet, but this will culminate in Buffy traveling through time to hang out/bitch fight with that future slayer from the comic book series I still haven’t read. It’s officially on my list of things to do.

Psych Casting Call: Shawn Needs a Mommy!

Wednesday, February 27th, 2008


Who in their right mind would run out on this guy? He’s smart, he’s funny and I find no shame in admitting that he’s also the darlin’est thing on basic cable. Well, the one person we know did drop Shawn like a bad habit is is mother. She went AWOL at some point before the series ever started, so his only source of parental guidance comes from his prematurely codger-y dad. Psych writers kept Shawn’s mom as a bit of a don’t ask/don’t tell for much of the series, but the last couple of weeks have seen more and more references to her existence. We even caught a Peanuts-esque, headless cameo from her in one of the show’s less useless flashbacks. Well, now we know why. The final scene of the season finale (sort of) introduced us to her.

Since they didn’t actually show her, and the new season won’t bow until this summer, the actress chosen to play Mrs. Spencer is still up in the air. I’m sure they have a few ladies in mind, but before anyone signs any dotted lines, here are a few women Psych might want to consider for the role…

Brenda Strong – Narrating Desperate Housewives can’t be that time consuming – those scripts practically read themselves! Besides, I’m sick of the ridiculously awesome Strong being stuck as the invisible, omniscient housewife. It’s about time she stepped back in front of the camera and Psych is a perfect venue. And since Shawn’s mom definitely has a dose of nasty for being a big, fat baby-abandoner, Strong could play the character like she did Elaine’s evil, bra-less nemesis on Seinfeld.

Kristine Sutherland - If I was a TV orphan, I know who I’d want to adopt me, and it’s not Angelina. Before she met her heartbreaking end on Buffy the Vampire Slayer, Sutherland played the slayer’s mother, Joyce, to the point of parental perfection. It wasn’t that she was sweet (she was a straight up badass when circumstances demanded it) – Joyce was just real. In the parallel universe where she starts acting again and nabs this role, I’d love to see her play it as a middle-aged tart – a la “Band Candy.”

Kate Jackson – Nothing beats a vintage hottie, and my favorite of Charlie’s Angels was always the understated and brainy Sabrina. Shawn’s dad may have taught him how to be crazy observant, but where did he learn the rest of his detectivin’ skills? I can just picture a flashback of Jackson teaching little Shawn how to jimmy car doors. Either way, this gal doesn’t make enough appearances! If she doesn’t join the Psych crew, can’t we at least find her a spot on Dancing With The Stars?

Phylicia Rashad – Who’s to say that woman at the door really is Shawn’s mother? She could be there to tell him that his real mother is actually… Mrs Burton! No, Shawn isn’t black, and sure, something like this would have probably come up, but come on! Rashad is the undisputed queen of TV moms, and her recent appearance as Gus’s on the Psych Christmas special was far too brief. Bringing her back would be really fun for the Shawn/Gus dynamic.

… or not.

Iowa is Not Feeling Moloch the Corruptor

Wednesday, January 2nd, 2008


You’ll still be scratching 2007 on your deposit slips for weeks, and there hasn’t been anything of consequence on television since Christmas, but that hasn’t stopped the new year from bringing us a blogosphere rife with intelligent TV-related analysis!

-Neil at Cogitamus is the new reigning king of absurd Buffy references with his detailed guide to the republican primaries by assigning them to some of the show’s more infamous villains. I applaud anyone’s ability to bring “Moloch the Corruptor” into a political conversation (sorry, Ron Paul), but comparing Giuliani to David Boreanaz is sacrilege in these parts.

-Vulture was kind enough to blow-up the new ads for The Wire so we can indeed read in between the lines. No real spoilers, but this whole “homeless serial killer” business does not bode well for our beloved Bubbles. They also have an interview with Michael K. Williams (everyone’s favorite thug homo, Omar) about the new season and playing the show’s most unique character. More on my excitement for the fifth season of The Wire when I review the premiere this Friday…

-Tifaux has a rundown of the best and worst TV deaths of 2007. I’ll never be done mourning you, U-turn.

-Gawker Media’s new science fiction blog only officially launched today, and the Firefly and Doctor Who references are already too numerous to believe. Keep in mind that those poor kids are paid by page views.

Double Buffy Indulgence: November Edition

Thursday, November 8th, 2007


So I bailed on last month’s Buffy comic review/recap – mostly because I got carried away with other things and partly because issue seven was the first real disappointment of the series (though maybe “underwhelming” might be more fair). Anyways, Faith has donned a fake British accent and gone undercover at the estate of rogue slayer and super-villain Genevieve… to kill her. But as it so often happens with Faith, she’s straying from the mission and feeling the temptation of the high life, hoodlumery and possibly same-sex hanky panky. All of this would be fun if she wasn’t playing off of such a flat, annoying character. (more…)

Whedon Welcomes Dushku to Dollhouse

Thursday, November 1st, 2007


After the premature demise of Nurses, the show that wasn’t, FOX’s guilt and/or lusty adoration for Eliza Dushku prompted them to sign a fancy development deal with the actress to ensure that she would indeed come back to television in a show tailor-made for her. Naturally, she turned to her former Buffy-boss, and all around TV sensei, Joss Whedon for advice on the proper next steps. The mind of Whedon churns faster than you or I could ever comprehend, so in a matter of moments, he decided exactly what her show should be: a science-fiction drama about “human chalkboards” created and helmed by him.

TV Week has this to say about the show: “Dollhouse stars Dushku as Echo, one of a group of secret agents living in a futuristic dorm. Each has the ability to be imprinted with custom personalities and abilities for special assignments. When they return, their newly acquired memories are wiped. The show follows Echo as she takes on a variety of assignments—some romantic, some adventurous, some uplifting, some illegal—and gains awareness of her role and confinement.”

Has the battle between serial and non-serial drama ever been clearer on a single show? Dollhouse screams for rich, elaborate, drawn-out storytelling, but the main characters’ mental conditions almost forbid it. It’s brilliant and dirty exciting for any fans of Whedon, Dushku or good television in general. Even more exciting: the show could be debuting as soon as spring 2008 with FOX committing to at least seven episodes. That means that endless speculation and worrying about the show actually coming to fruition isn’t necessary. I always get confused when shows are given an episode commitment before the network ever sees a finished pilot or even a script, but as a friend pointed out to me, “It is Joss. He don’t do pilots.”

Buffy Sing-Along: The Day the Music(al) Died

Thursday, October 11th, 2007

We got some unsettling news yesterday. The ever-greedy suits at 20th Century Fox have pulled the plug on the traveling Rocky Horror-style screenings of Buffy‘s musical episode, “Once More With Feeling.” The show has had a standing monthly gig here in New York for the last year, and it’s garnered a buttload of attention. You’d think that would please everyone at Fox (continued interest in a long dead show and all), but they decided to pull the license for all their TV shows from theatrical exhibition. Layman’s: unnecessary stomping on harmless fun.

Personally, this news seemed a long time coming. Fox has always been grumpy about fans stepping on copyrights – even when it’s to their advantage. (I have a friend who was almost sued over a Simpsons’ fansite… when we were 14!) In the odd event that anyone pays attention to these things, there’s a petition up for the show’s return. I’ve never been big on mass displays of fandom, but they threw a mean party, and it was comforting to see my favorite show up on the marquee at the IFC Center once a month. Here’s hoping for a speedy return!

Monthly Buffy Indulgence: September Edition

Thursday, September 6th, 2007

Remember when August was completely without a Buffy post? I don’t know about yours, but my tears were extra salty. Well, season eight returned today with the first part of No Future For You, the latest four issue arc. Joss Whedon, while involved with the story, has taken a backseat as just the producer and left writing duties to Lost‘s Brian K. Vaughan. I’m already nervous!

On top of that, this arc focuses on Faith, the wayward Slayer with a dodgy Boston accent and a penchant for stabbin’ – a character I have one serious issue with. The mere thought of any portrayal of Faith without Eliza Dushku’s bizarrely brilliant delivery is odd, if not completely disturbing. Of all the show’s cast members, I’ve always found her to be the most attached to her alter ego (possibly because she hasn’t really done anything else). Either way, double-nervous!

Well, my nerves subsided – due in large part Faith’s undercover status and fake British accent. This can’t be Dushku. Dushku doesn’t do accents. Not much happened, but here’s what we now know…

- Cleveland: actually a hellmouth and holder of the charming moniker “the mistake by the lake”
- The Buffy/Xander sexual foreshadowing continues and I come that much closer to heart failure
- Part of this season’s conglomerate of über-baddies is a rogue slayer who looks like Demi Moore circa Nothing But Trouble
- Faith still has issues

Vaughan does a nice job weaning us off Whedon; the writing doesn’t suffer for his absence at all. It’s also nice to know that these Faith and Giles-centric issues won’t completely abandon our Scoobies in Scotland. I’d prefer they focus on de-gianting Dawn and not on shirtless Xander, but beggers can’t be choosers.

Pick it up. It’s good. And if you’re remotely as lame as me, you’ll notice the cameo by The Doctor and Rose in the last few pages. Ugh, geek shame!

Comic-Con Revelations: Ripper Finally a Go?

Sunday, July 29th, 2007

Joss Whedon was on hand at Comic-Con this weekend to share in the festivities of Buffy‘s 10th anniversary and bask in the adoration of those who love him dearest/creepiest. Amidst talk of the comic book, an upcoming horror film and ballet (?), he also chose to make a most unexpected announcement: the long spoken of Giles-tastic Buffy spin-off, Ripper, may soon come to fruition.

Ripper, as it was originally envisioned, was supposed to chronicle Giles’ days fighting evil with more attitude before his tenure in Sunnydale. And almost seven years after the first talks, Whedon, Anthony Stewart Head and the BBC all seem to be game. BBC is planning to run the story as a 90-minute TV movie to be aired, I presume… sometime before most of us die.

The dark side of Giles was something frequently alluded to. Other than a few random glimpses of bad-assery, it was never really explored, so this is our chance to finally see how Whedon pictured his past. Head is getting up there in years though; gone are the days of that handsome rake brewing Taster’s Choice in the apartment across the way. They may have to do a little retooling to accommodate crow’s feet, but Botox and a leather jacket can do wonders.

My only complaint is inevitable frustration of having to pay for another ridiculously overpriced BBC DVD.

Monthly Buffy Indulgence: July Edition

Thursday, July 26th, 2007

It seems fitting that this month’s sidetrack into the world of television-related comic books fall on the first day of Comic-Con – which I unfortunately am not attending. One blessed week ahead of schedule, the fifth installment of the eighth season of Buffy the Vampire Slayer is on the shelves. It marks the first stand-alone issue and the last to be penned by Joss Whedon for an indefinite amount of time. Apparently a story he was quite anxious to tell, The Chain focuses on one of the unnamed faux-Buffys planted by the new council to keep evil on its toes. And if you’re at all familiar with the last season of Angel: no, it’s not the fun “Buffy”, hoing it up in Italy… it’s the emo “Buffy” who has to live in caves and be unceremoniously killed.

Just as he likes them, Joss’s anonymous heroine is strong, intelligent, selfless and ultimately tragic. It seems odd that after all of this time he still feels the need to deviate from the linear storytelling for a random parable of female empowerment. Isn’t this girl just another Buffy, Faith, River or Fray? Actually, she’s not. Unlike her predecessors, she exists in a vacuum – without friends, family, history and, given of the brevity of her cameo, she will never even have fans. Joss has tried to create characters that are truly alone in the past, but because of either his affection for them or the fans’, they never remain completely detached. This is the heroism he seems to like the best, the noblest of sacrifices, but this was the only way he could really tell it.

The Chain is brief but poignant. It’s not funny like the previous books, and our glimpses of familiar Buffyverse faces or mighty brief. As the pencils go, Paul Lee’s first stab at the new incarnation of the Buffy seems to be a bit more accurate than Georges Jeanty’s. Andrew and Vi (the red-headed, beret-wearing potential) show up in a hilarious infomercial aimed at educating new slayers, and for the first time in the series, comic book Andrew actually resembles Tom Lenk.

Buffy: Season Eight returns in early September with the first of a four issue arc that promises a lot of Faith, a lot of Giles and a lot of Cleveland (which, Liz Lemon, ain’t so hot). The Chain was an entertaining and heartfelt departure, but I’m much more interested in the folks I know and the story that matters. Futility is too depressing.