Project Runway: Patience Wears Thin

February 6th, 2008


The writing is on the bluefly.com accessory wall. This season of Project Runway is just not making it work, and my faith that they’ll pull their act together is only slightly boosted by this evening’s looooooooong overdue ousting of melodramatic bra-maker Ricky (pictured, awkwardly, above). Ricky wore ugly hats he found in S&M catalogs, designed some of this season’s least appealing outfits and cried more often than a menopausal manic depressive. He offended as many of the five senses as someone stuck in a television is capable of offending, and now that he’s gone, I can move on to my more legitimate, less-catty complaints about the current state of our beloved PR.

Let me first say that the caliber of talent on a show like this is unfathomable to someone like myself. In the alternate universe where sewing a dress would be mildly appealing to me, I still don’t think I’d be remotely deft at it. These people are, but for the last couple of weeks their creations have not reflected that. The challenges haven’t suffered like I expected they would, yet the outcome is not what it used to be. I think a lack of structure is at fault. The best clothes this season have been produced during the most specific challenges. Giving these people a task and then letting them run amok in a fabric store doesn’t produce the same results as handing them a couple pairs of old jeans and pointing at a model. They need specifics, and last night reflected that perfectly. Everyone whose designs suffered did so because of poor interpretation and color choices. I realize that the whole idea of Project Runway is to find the person who can produce the most amazing designs under any set of circumstances, but is it really worth arriving at that conclusion if the months prior are spent suffering through people who can’t?

On the personality side of Runway, I am reasonably happy to see who is left this late in the game. Chris’s endurance and success this long after being kicked off and kicked back on almost demand that he stick around until Bryant Park. Sweet P is more fun to have around than she is talented, while Jillian’s creativity is dampened by how ungodly boring she is. I can tolerate Cristian’s forced persona but only for his consistently interesting offerings. And Rami, despite his recent outburst at Sweet P and fun-spiral, is still my favorite. I’m waiting for him to crank it back up.

To return one last time to irksome Ricky before I purge him from my mind until the inevitable reunion, I would like to point out that the only episode in his extended run on the show when he didn’t sob hysterically was the night that he was told to leave the show. Irony is rarely this frustrating.

Do Not Accept Your Invitation to The Captain

February 5th, 2008


Two years ago, the star of CBS’s Welcome to the Captain, Fran Kranz, appeared in a little seen (and hugely hilarious) film called The TV Set. In it he played an unknown actor who secured the starring role in a pilot that had all the makings of an excellent series. But through the network’s dumbing down of the script and his insipid performance, the show that was actually produced ended up being a boring, contrived mess. Welcome to the Captain could be that series.

It follows a struggling young writer named Josh who moves into a historic Hollywood high-rise as a last result before fleeing LA for the creative womb of New York. In the building he meets an eccentric group of tenants who become the focus of his day-to-day. There isn’t much to look forward to in TV land these days, so forgive me for holding out hope that Captain may have been something to write home about. All of the previews seemed legitimately funny, the camera work is reminiscent of Arrested Development and their nabbing of actors like Jeffrey Tambor, Raquel Welch and Chris Klein was a huge vote of confidence. So how does this show suck so royally and completely? I’m afraid there’s no easy answer. Captain is bad in ways both predictable and astonishing. It takes a mediocre premise and challenges everyone involved (writers, actors, the key grip, craft services…) to pollute each minute with clichés, idiotic humor and the kind of poor exploitation of “wacky” characters that has rarely appeared on television since the late 80s.

You might be thinking, “Mikey, it’s not fair to judge pilots so harshly. At least give the show a chance.” Well, I did. Half of the venom I just spewed was produced during my viewing of next week’s installment of Welcome to the Captain. The first episode was merely bad. For something achingly bad, by all means, keep watching.

Friday Night Lights: Everybody Hurts

February 4th, 2008


Just one week off from the season’s unceremonious finale (my heart, it hurts!), and pretty much everyone on Friday Night Lights is an emotional wreck. Saracen, fresh off his live-in girlfriend’s abrupt exodus from the country, is drowning his sorrows with Riggins in all sorts of seedy hillbilly dives (also frequented by born-agains, of course). Smash’s post-high school plans are falling under question thanks to his very public mishandling of a racially charged feud with some jackholes two towns over. Tyra is coming to realize that her rebuffing of Landry’s affections may have been a tad premature. And Julie… poor Julie further solidified her status as Dillon’s resident “Dawn” by once again overreacting to her poor mother’s good intentions. The night was filled with emotional breakdown after emotional breakdown, but where did they fall on the sympathy scale? Let’s start with the least tragic and work our way up.

Tyra Collette – The World’s Smallest Violin
Come on. As if that charming albino was ever going to choose a pixie-haired early 90s reject over the hotness that is Tyra. The revelation of her Landry love was long overdue, and the payoff was inevitable.

Julie Taylor – That Stain Will Never Come Out

Sure, her insecurity is legitimate. Her dad has his team, her mom has her team and they both have that bug-eyed baby to fawn over. There isn’t a whole lot of time in the Taylor house to dote on the unathletic, adolescent first born. Julie’s whining and angsty theatrics, though warranted and completely pivotal to her family dynamic, are still damn annoying.

Matt Saracen – Left at the Altar

My attention isn’t the only thing that’s abandoned poor Saracen this season. During a drunken confrontation with Coach Taylor, Matt went through the laundry list of people who’ve left him hanging. His father, his girlfriend, his coach, his other girlfriend, his grandmother’s lucidity… it just goes on and on. I’m wept a little, but mostly out of guilt. I’ve been so preoccupied with other characters this season – I accidentally left him too.

Brian “Smash” Williams – Cancer of the Puppy

If Matt’s bathroom breakdown didn’t dampen your ducts, Smash’s locker room speech and ensuing sob-fest probably did the trick. He lost his scholarship to TMU after he was suspended for the rest of the season, and I think he may have been the only one who was surprised. The real tragedy of the Friday Night Lights book and film was the futility of small town sports heroes. They have a lifetime’s worth of praise poured over them before their 18th birthdays, but then they end up going nowhere. The show has given us a taste of this with some of Dillon’s adults and with Jason Street’s catastrophic misfortune, but none of the current Panthers have ever faced the highly undramatic reality that playing ball after high school just isn’t always in the cards.

Smash’s fate is anything but sealed. Considering the unjust origins of his current situation, I really doubt he won’t find his way to TMU somehow. But when exactly will that happen? This Friday is it, folks… all they flippin’ wrote! After that it’s just the gaping abyss of uncertainty over a third season. 2008’s fairly nonexistent pilot season lends me to believe that FNL will probably see a junior year, but we won’t know for some time.

Linkin’ Blogs: The TV Blog Coalition, Feb. 3

February 3rd, 2008

The arrival of In Treatment was the highlight of the TV week here, but check out what was happening elsewhere…

  • Buzz suggested some books for fans missing their Gossip Girl, Brothers & Sisters, Heroes, and more. (BuzzSugar)
  • This week, Daemon’s TV introduced their new regular feature, DVR (Daemon Video Recap), a fun video recap chipmunk-style of your favorite TV shows. (Daemon’s TV)
  • Liz enjoyed a hefty dose of manufactured drama (with some crazy bitch, to boot) on the Janice Dickinson Modeling Agency. (Glowy Box)
  • Marcia explained why Supernatural is one of the most underrated shows on television. (Pop Vultures)
  • Feeling nostalgic, Rae recalled favorite childhood TV shows and moments from Buffy and Dawson’s Creek among others with a TV meme. (RTVW)
  • For those that want to relive the show before its second season premiere March 2nd or if you just need some scripted television to watch before it goes the way of the dinosaur, Scooter is giving away Dirt Season 1 starring Courteney Cox on DVD. (Scooter McGavin’s 9th Green)
  • Vance admits to liking guilty pleasures like the movie 27 Dresses, the new single by OneRepublic and the TV show Carpoolers. Yes, Vance is that one person watching that show. (Tapeworthy)
  • This week, Jace was all about Lost, with exclusive interviews with Matthew Fox, Josh Holloway, Elizabeth Mitchell, Michael Emerson, and Yunjin Kim, advance reviews, and morning-after analysis. (Televisionary)
  • TiFaux got naughty and kinky this week by offering up the Top Ten TV-Related Safe Words. (TiFaux)
  • Tube Talk celebrated the new season of Lost with a hilarious parody starring the Lost(Tube Talk)
  • Raoul found out the crazy things people say when they file complaints to the FCC about your favorite shows (TV Filter)
  • Thanks to some shameless in show advertising, the TV Addict deems NBC “Nothing But Commercials” (TheTVaddict.com)

action figures.

Eli Stone: Ally McBeal… But a Dude

January 30th, 2008


If you were to cast Johnny Lee Miller in a new television series, wouldn’t you want to take advantage of his British accent and rakish good looks? I suppose you can’t if that series is about a straitlaced San Francisco lawyer, but it doesn’t hurt to daydream about the Miller of Trainspotting and Hackers while you’re watching him play Eli Stone. If you haven’t already seen one of the many, many commercials from the show, it’s about a young lawyer whose life is interrupted when he starts having strange visions and interpreting them as messages from God. He uses these messages to help other people – much to the chagrin of his snide boss and selectively distant fiancée (played by Natasha Henstridge).

Eli Stone is not wildly fantastic TV, but it is heartfelt and easy to watch. When the cases Eli is trying fall flat and you find yourself getting distracted, Miller makes some broken facial expression and your sympathies swell. In the pilot, he receives life-altering news with his CAT scan results, and his fiancée chooses that moment to question her commitment to their relationship. Heartbreaking enough on its own, the look on Miller’s face is enough to make you take a hit out of Henstridge. Is this how it went down with Angelina, Johnny?

Miller reads these scripts well. He can tell when his audience is vulnerable to loosing interest, and he really turns it up. I’m not sold on the show, but I’m sold on him. You can read my full review over at Metromix.

Eli Stone premieres Thursday at 10pm on ABC

In Treatment: Reactions to Week One

January 29th, 2008


As my roommate so eloquently puts it, I think therapy is “for pussies.” Well, if going to therapy is anything like watching others go through it, I have been sorely mistaken. HBO’s new nightly series, In Treatment, follows one therapist’s weekly sessions with four patients and one with his own doctor. It kicks off this week, and the first installments are a tad… grueling. The people who come into Paul’s office are so very seriously screwed up, it’s hard enough watching them spill the beans. Being the professional responsible for their progress and welfare is almost unthinkable. Since we’re really talking about five separate shows with one tying them all together each week, it’s probably best to discuss them as such. Here goes…

Monday
Laura (Melissa George) is a mess of a girl. She forms unhealthy attachments and talks in frustrating circles (something shared by many of Paul’s patients). She’s been seeing Paul for over a year and reveals to him the first episode that she’s been in love with him the entire time. This is after she recounts a particularly lurid night the bathroom of a bar. While describing her sexual shenanigans, she pauses to ask if he’s disgusted. Of course he’s not – at least not outwardly. Well, I am. Laura’s sad display makes me physically uncomfortable, and my penchant for grimaces reminds me of why I never thought of pursuing psychology. I’m tempted to rule out this night, but the fact that her issues look to be one of the biggest reasons Paul is seeking council for himself means I may see it through.

Tuesday
The interesting thing about Alex (Blair Underwood) is that he isn’t someone you would expect to see in therapy. He doesn’t fit the bill as well as his costars. A cocky Navy pilot with an unconscious death wish, Alex might also be a latent homosexual. In his first sessions he nonchalantly talks about how he accidentally killed 16 children in a bombing like an affected frat boy would write off a night of drunken misconduct. This is the only chapter I am tempted to write-off immediately. Blair Underwood has a recurring role in several million TV series right now, so forgive me if it’s hard to muster sympathy.

Wednesday
It must be rough to be the only unrecognizable player in an ensemble like this, but Mia Wasikowska holds her own as Sophie, the gymnast who has to seek therapy as part of a lawsuit brought on by a car accident. What Paul must decide is whether or not Sophie’s accident was actually a suicide attempt. In the first session, he also uncovers a potentially pedophilic relationship with her coach.

Thursday
This is what I’m here for, folks. Embeth Davidtz and Josh Charles are two of my favorite actors in this whole wide world, and seeing them as a combative couple pleases me to no end. After five years of trying to have a baby, Amy and Jake finally find themselves pregnant with their second child – only to question whether or not they should actually have it. The absolute highlight of the week comes when Amy gives a speech about how she doesn’t love the child inside her and doesn’t know what she’s capable of doing to it if she carries it to term. She pauses and reveals that she is just kidding. It’s fantastically chilling. Amy is a liar and Jake is an ass. They remind me a lot of Brenda and Nate from Six Feet Under. Whether I stay on board for any other nights is really up in the air, but I will be here for each of the nine sessions with Amy and Jake.

Friday
With such a colorful roster of clients and a wife wearing him even thinner, it’s no wonder that Paul (Gabriel Byrne) has to solicit help for himself. On Friday he begins regular meetings with his former therapist Gina (Dianne Wiest). Paul stopped meeting with Gina almost a decade earlier over some disagreement that is not yet clear. Their meetings mix a happy reunion, with the opening of old wounds and our only real look into Paul’s mind. It’s the most interesting night of the week, if only for its ability to tie the rest of the show together into one cohesive story.

In Treatment is something entirely new (unless you’re from Israel). It’s less like television than it is a series of one act plays. Not that I don’t appreciate the thoughtful editing, but for all intents and purposes, these installments are essentially one-shot, real time glimpses into the seriously sordid lives of well-spoken others. It’s not pretty and it certainly isn’t easily digestible, but In Treatment is the kind of thoughtful, exciting television you expect from HBO. The uncanny timing also makes it the strike-starved watcher’s dream come true.

Catching Up With Psych

January 28th, 2008


The latter half of Psych’s current season has seen the show at it’s best. It’s difficult to imagine them being able to so quickly top their Phylicia Rashad-tastic Christmas special, but the subsequent three episodes have been side-splittingly awesome – Friday’s in particular. “Lights, Camera… Homicidio” gave fans of the show something we’d been longing for, an opportunity for star (and secret-Latino) James Roday to use one of his many over-the-top caricatures for an entire episode as an actor in a telenovela. His turn as “Chad, the Delivery Boy” was the highlight of the last week in TV. Elsewhere… Gus’s neuroses are as blatant as ever, there hasn’t even been a hint of forced romance and Corbin Bernsen’s presence is feeling less and less suffocating.

But not everything is perfect in Santa Barbara. The second season marks a serious decline in the quality of the episode-ending “Psych Outs.” With one notable exception two weeks ago, they’ve been forced, awkward and kind of humiliating. We already know how amazing Roday and Hill are on set, so it’s surprising they haven’t chosen more organic outtakes. But it’s all a part of USA’s interesting interpretation of humor – anything and everything can be dumbed down. “Psych Outs” considered, the most obvious example of this comes from the recent tie-in shorts of Little Shawn & Gus – a cartoon chronicling the childhood adventures of our protagonists. Seriously, we get it. Shawn is the way he is because of how his father raised him. His dynamic with his father and best friend has changed little since. There are even little moments from childhood that conveniently parallel each episode’s case… I realize that my distaste for the show’s flashbacks is probably the fault of my aversion to them in general but adding this new cartoon element is really pushing me over the edge.

Psych has always been required viewing for me. The cold open and crappy marketing may be tedious, but the charm and hilarity of the remaining 38 minutes more than make up for it. There are only three new episodes left, so be sure to tune in if you haven’t been. No previous understanding required. It’s just lazy weekend morning DVR candy.

Linkin’ Blogs: The TV Blog Coalition, Jan. 27

January 27th, 2008

If San Francisco played host to events like the recent Freaks and Geeks reunion more often, I might actually move there. Can’t imagine why James Franco wasn’t there…

  • Buzz shared tons of stories from the Freaks and Geeks reunion in San Francisco. (BuzzSugar)
  • Sandie interviewed Sophia Myles who plays Beth Turner on MOONLIGHT (Daemon’s TV)
  • Liz watched writers from The Daily Show and The Colbert Report stage a hilarious mock debate on the strike. (Glowy Box)
  • Fergus looked at five shows that never made it to the airwaves, much to our disappointment. (Pop Vultures)
  • To kick off the Adopt A Writer project Kelley interviewed Jasmine Love, a writer with credits from Moesha, The Division, and The District. (RTVW)
  • Usually the first quarter is a slow time for finding new albums, but Scooter has rounded up a list of 29 albums to check out in the next four months. Well, 28 and Ashlee Simpson. (Scooter McGavin’s 9th Green)
  • Vance is going to miss Betty and Chuck during the strike hiatus. (Tapeworthy)
  • Jace was all about British TV this week, from an advance look at Torchwood‘s second season opener to the awe-inspiring finale of Life on Mars. (Televisionary)
  • Dan had some misgivings about Carson Kressley’s tepid new show How to Look Good Naked. (TiFaux)
  • Raoul interviewed Rachel and TK from The Amazing Race. (TV Filter)

Torchwood‘s Second Season: Sexier, Sadder

January 24th, 2008


The BBC America debut of Torchwood was the most successful launch in the network’s history. They responded by giving their audience a treat that’s more foreign than the programming itself – a near-simultaneous broadcast of the new season on both sides of the Atlantic. If you’ve ever been a fan of UK exports, you know what I mean. Whether it be because of copyright issues, laziness or residual spite from the mother country, most British TV that makes it here at all is forced to sit in customs or TV purgatory for months before it airs on American tubes… apparently until now. I didn’t exactly like the first season of Torchwood. Not as much as I wanted to like it anyways. But my desire to love it kept me watching, and despite the mediocre premiere and even less compelling finale, there were enough solid episodes in between to bring me back. The promise of James Marsters didn’t hurt their case either.

The second season (premiering Saturday at 9PM) begins with the group trying to take out a alien/demon without their fearless leader who disappeared at the end of the last season. (My Buffy eyebrow is officially raised.) Just when things are at their most dire… Jack reappears to save the day and drop an obligatory wink and “did ya miss me?” They did, but like all sidekicks, they’re still bitter he left in the first place. James Marsters shows up dressed as some sort of alien drum major before any of this is addressed. Masters’ character (John) and Jack engage in an obligatory make out session before their lust escalates to a well choreographed ass-kicking as Blur plays in the background. It’s possibly the hottest thing ever put on television, but the allusions to Marsters’ TV roots go a little past flattery.

After the initial canoodling, Jack goes on to make passes at both Gwen and Ianto, and we resume the sexual seesaw that is Torchwood. This rampant and insincere bisexuality might actually be offensive if it wasn’t so depressing. The lamentable portrait of Jack, the immortal hero, as a lonely wonderer, drawn to working with a team but aware that he’s always a few inches too far to ever really connect with burns almost every scene in the season premiere. What he doesn’t know is that his team is no better off than he is. They hump each other to find solace from their dark line of work, but all they do is alienate each other and themselves.  It’s like a subtle, twisted argument for abstinence.

Torchwood has admittedly reinvented itself this season. The writing is sharper, the actors are more comfortable with their characters, the production quality is far superior and the humor is… existent. There’s also this slight and unexpected shift in tone. Sexuality that was soapy camp is now dark and slightly desperate. This change coincides with the characters’ acceptance and even the temptation of their own mortality – an inevitable watershed in most science fiction series. It’s curious that the Torchwood team would find themselves at this place so soon in their run, but the show’s rapid maturity doesn’t seem to be anything but an improvement.

Linkin’ Blogs: The TV Blog Coalition, Jan. 20

January 20th, 2008

What a strange comfort it is to see so many references to Buffy the Vampire Slayer here in 2008. Here’s the best of last week…

  • Buzz issued a bold challenge to recast Buffy the Vampire Slayer. (BuzzSugar)
  • Eric wrote about the French titles (translated) of American TV shows (Daemon’s TV)
  • Liz previewed Hollywood Residential, a promising new single-camera comedy premiering Wednesday on Starz. (Glowy Box)
  • Marcia reviewed the second season opener of Torchwood and, for the most part, liked what she saw. (Pop Vultures)
  • Rae had fun talking to a fellow Buffy fan and the woman behind Kyle XY’s Jessi XX, Jaimie Alexander. (RTVW)
  • For those that prefer your horror movies to be more classic slasher like Evil Dead than realistic gore like Saw, you should definitely check out Hatchet starring the chick from Buffy the Vampire Slayer not named Buffy and the dude from Dharma and Greg not named Greg. (Scooter McGavin’s 9th Green)
  • Vance is still undecided about Terminator: The Sarah Connor Chronicles. (Tapeworthy)
  • Desperate for something to watch, Jace tuned into the first two episodes of Terminator: The Sarah Connor Chronicles and pleaded with John Connor to wash his greasy hair. (Televisionary)
  • Who do you think would win a knock-down, drag-out fight: NBC’s Chuck or Rami from Project Runway? (TiFaux)
  • Jennifer had a “biting” good time interviewing Moonlight’s Sophia Myles about what it’s like working on a show about vampires. (Tube Talk)
  • We posted an in-depth interview with LOST star Elizabeth Mitchell, who’s not surprisingly far more delightful than her somewhat sinister character Juliet. (theTVaddict.com)
  • Kate watched American Idol for the first time ever – and loved it. (TV Filter)